🎉 Up to 70% Off Selected ItemsShop Sale
You Took That Walk For The Two Of Us
HomeStore

You Took That Walk For The Two Of Us

You Took That Walk For The Two Of Us

New LP from the Tonstartssbandht member and Mac Demarco touring guitarist now based in East Village NYC. Stone-cold classic-black shining vinyl copy of the new Andy Boay solo 12" record. Gorgeous artwork and typography by Matthew Fisher on a glorious full size LP jacket. It's a no brainer: you're gonna wanna have this and hold this in your damn hands.

This is the first new Andy Boay album since 2013’s In The Light. I recorded it in January 2024 to a Yamaha MT8X 8-track cassette recorder in my room at the New York Center for Creativity & Dance in the East Village of Manhattan. I mixed it in June 2024 with Joe Santarpia and Roberto Pagano at the Idiot Room in San Francisco.

The three songs on Side A (“HBM,” “If I Ever Come Off,” and “You’re In The Air Now”) were initially arranged over several live performances using a multi-track looper. When I then sat down to track them to my tape machine, I meticulously sang and played out all repeating parts, layering and ping-pong-bouncing each doubled take to another tape-track. In this way I hoped to maintain the hypnotic quality of the looped parts while keeping them organic, singular, and fleeting.

Side B is a triptych of more carefully arranged pop songs: a tremolo & mod-delay elegy to youth called “Careless,” bookended by two variations on the same theme — the stark, mellotron prayer of “One and One” and the lonesome after-hours funk of “I Want More”.

$12.40

Original: $41.33

-70%
You Took That Walk For The Two Of Us—

$41.33

$12.40

You Took That Walk For The Two Of Us

New LP from the Tonstartssbandht member and Mac Demarco touring guitarist now based in East Village NYC. Stone-cold classic-black shining vinyl copy of the new Andy Boay solo 12" record. Gorgeous artwork and typography by Matthew Fisher on a glorious full size LP jacket. It's a no brainer: you're gonna wanna have this and hold this in your damn hands.

This is the first new Andy Boay album since 2013’s In The Light. I recorded it in January 2024 to a Yamaha MT8X 8-track cassette recorder in my room at the New York Center for Creativity & Dance in the East Village of Manhattan. I mixed it in June 2024 with Joe Santarpia and Roberto Pagano at the Idiot Room in San Francisco.

The three songs on Side A (“HBM,” “If I Ever Come Off,” and “You’re In The Air Now”) were initially arranged over several live performances using a multi-track looper. When I then sat down to track them to my tape machine, I meticulously sang and played out all repeating parts, layering and ping-pong-bouncing each doubled take to another tape-track. In this way I hoped to maintain the hypnotic quality of the looped parts while keeping them organic, singular, and fleeting.

Side B is a triptych of more carefully arranged pop songs: a tremolo & mod-delay elegy to youth called “Careless,” bookended by two variations on the same theme — the stark, mellotron prayer of “One and One” and the lonesome after-hours funk of “I Want More”.

Product Information

Shipping & Returns

Description

New LP from the Tonstartssbandht member and Mac Demarco touring guitarist now based in East Village NYC. Stone-cold classic-black shining vinyl copy of the new Andy Boay solo 12" record. Gorgeous artwork and typography by Matthew Fisher on a glorious full size LP jacket. It's a no brainer: you're gonna wanna have this and hold this in your damn hands.

This is the first new Andy Boay album since 2013’s In The Light. I recorded it in January 2024 to a Yamaha MT8X 8-track cassette recorder in my room at the New York Center for Creativity & Dance in the East Village of Manhattan. I mixed it in June 2024 with Joe Santarpia and Roberto Pagano at the Idiot Room in San Francisco.

The three songs on Side A (“HBM,” “If I Ever Come Off,” and “You’re In The Air Now”) were initially arranged over several live performances using a multi-track looper. When I then sat down to track them to my tape machine, I meticulously sang and played out all repeating parts, layering and ping-pong-bouncing each doubled take to another tape-track. In this way I hoped to maintain the hypnotic quality of the looped parts while keeping them organic, singular, and fleeting.

Side B is a triptych of more carefully arranged pop songs: a tremolo & mod-delay elegy to youth called “Careless,” bookended by two variations on the same theme — the stark, mellotron prayer of “One and One” and the lonesome after-hours funk of “I Want More”.