Yes
Itâs odd working with an artist without ongoing dialogue; no context or an exchange of ideas. Itâs all conjecture. Here's another CD of material in the post from Shinichi, two years more or less since the last one. No words except for the track titles. Oh, a photo this time.
âYesâ, positivity, hope. But the album starts with a dystopian vision; something like Dopplereffektâs sound-chemistry experiments, a tense builder. Big optimistic chasms open up, the Piano House euphoria of the title track, beautiful sunset closer 'Ocean 1â. But thereâs a noticeable change too. 'Lake 2â is more fraught sci-fi, 'Lake 3â a sort of percussive Chain Reaction monster, 'Loop 1â, on a Drexciyan tip.
Itâs all coated in that weird - some people say infuriating - toppy production, witnessed this time in a more tempered and different formation courtesy of an amazing Rashad Becker master, all precise but loosely swung arrangements. Everything slow to unfurl but, also, everything in exactly the right place.
Yes
Itâs odd working with an artist without ongoing dialogue; no context or an exchange of ideas. Itâs all conjecture. Here's another CD of material in the post from Shinichi, two years more or less since the last one. No words except for the track titles. Oh, a photo this time.
âYesâ, positivity, hope. But the album starts with a dystopian vision; something like Dopplereffektâs sound-chemistry experiments, a tense builder. Big optimistic chasms open up, the Piano House euphoria of the title track, beautiful sunset closer 'Ocean 1â. But thereâs a noticeable change too. 'Lake 2â is more fraught sci-fi, 'Lake 3â a sort of percussive Chain Reaction monster, 'Loop 1â, on a Drexciyan tip.
Itâs all coated in that weird - some people say infuriating - toppy production, witnessed this time in a more tempered and different formation courtesy of an amazing Rashad Becker master, all precise but loosely swung arrangements. Everything slow to unfurl but, also, everything in exactly the right place.
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Description
Itâs odd working with an artist without ongoing dialogue; no context or an exchange of ideas. Itâs all conjecture. Here's another CD of material in the post from Shinichi, two years more or less since the last one. No words except for the track titles. Oh, a photo this time.
âYesâ, positivity, hope. But the album starts with a dystopian vision; something like Dopplereffektâs sound-chemistry experiments, a tense builder. Big optimistic chasms open up, the Piano House euphoria of the title track, beautiful sunset closer 'Ocean 1â. But thereâs a noticeable change too. 'Lake 2â is more fraught sci-fi, 'Lake 3â a sort of percussive Chain Reaction monster, 'Loop 1â, on a Drexciyan tip.
Itâs all coated in that weird - some people say infuriating - toppy production, witnessed this time in a more tempered and different formation courtesy of an amazing Rashad Becker master, all precise but loosely swung arrangements. Everything slow to unfurl but, also, everything in exactly the right place.
