
What A Day For A Daydream - The Complete Recordings 1965-1969
7 CD, 170-track box set compiling the complete 1960s recordings by The Lovinâ Spoonful. Mastering is by Grammy nominated archivist/producer Alec Palao. Includes their first four studio albums Do You Believe In Magic (1965), Daydream (1966), Hums Of The Lovinâ Spoonful (1966) and Everything Playing (1967) in both stereo and mono plus stereo mixes of their two soundtrack albums The Lovinâ Spoonful In Woody Allenâs âWhatâs Up Tiger Lily? (1966) and Youâre A Big Boy Now (1967). Also contains the Joe Butler-helmed final album Revelation: Revolution â69 (1969), original guitarist Zal Yanovskyâs solo album Alive And Well In Argentina (1968) and stereo and mono versions of the early Lovinâ Spoonful tracks included on Elektraâs 1966 compilation 'Whatâs Shakinâ, the mono mixes appearing on CD for the first time.
Including all of their hits: âDo You Believe In Magicâ (US #9), âYou Didnât Have To Be So Niceâ (US #10), âDaydreamâ (US #2, UK #2), âDid You Ever Have To Make Up Your Mindâ (US #2), âSummer In The Cityâ (US #1, UK #8), âRain On The Roofâ (US #10), Nashville Cats (US # 8, UK #26), âDarling Be Home Soonâ (US #14), âSix OâClockâ (US #18) and âShe Is Still A Mysteryâ (US #27).
Bonus tracks include âAlley Oopâ, an out-take from their debut album sessions plus demos, alternative versions and instrumentals.
The Lovinâ Spoonfulâs first seven singles gave them seven consecutive US Top 10 hits. Often described as Americas answer to The Beatles, The Lovinâ Spoonful were so much more. They rose out of the Greenwich Village folk boom and adjacent to the British Invasion hit big with their âgood time musicâ, an exhilarating mix of jug band, blues, folk, rock and roll and big-hearted pop. Mojo Magazineâs Lois Wilson describes the members in the notes as âJohn Sebastian, a hugely talented, often underrated songwriter with a preternatural command of words and melody; Zalman Yanovsky, a protean guitar player, capable of fuzzed out psych, mercurial blues and fingerpicked folk; then Steve Boone and Joe Butler, bass and drums respectively, who provided a rock ânâ roll framework with a jazz playerâs lightness of touchâ.
The Beatles themselves were influenced by them on âGood Day Sunshineâ while Johnny Cash covered the Spoonfulâs âDarlinâ Companionâ.
Original: $66.67
-70%$66.67
$20.00What A Day For A Daydream - The Complete Recordings 1965-1969
7 CD, 170-track box set compiling the complete 1960s recordings by The Lovinâ Spoonful. Mastering is by Grammy nominated archivist/producer Alec Palao. Includes their first four studio albums Do You Believe In Magic (1965), Daydream (1966), Hums Of The Lovinâ Spoonful (1966) and Everything Playing (1967) in both stereo and mono plus stereo mixes of their two soundtrack albums The Lovinâ Spoonful In Woody Allenâs âWhatâs Up Tiger Lily? (1966) and Youâre A Big Boy Now (1967). Also contains the Joe Butler-helmed final album Revelation: Revolution â69 (1969), original guitarist Zal Yanovskyâs solo album Alive And Well In Argentina (1968) and stereo and mono versions of the early Lovinâ Spoonful tracks included on Elektraâs 1966 compilation 'Whatâs Shakinâ, the mono mixes appearing on CD for the first time.
Including all of their hits: âDo You Believe In Magicâ (US #9), âYou Didnât Have To Be So Niceâ (US #10), âDaydreamâ (US #2, UK #2), âDid You Ever Have To Make Up Your Mindâ (US #2), âSummer In The Cityâ (US #1, UK #8), âRain On The Roofâ (US #10), Nashville Cats (US # 8, UK #26), âDarling Be Home Soonâ (US #14), âSix OâClockâ (US #18) and âShe Is Still A Mysteryâ (US #27).
Bonus tracks include âAlley Oopâ, an out-take from their debut album sessions plus demos, alternative versions and instrumentals.
The Lovinâ Spoonfulâs first seven singles gave them seven consecutive US Top 10 hits. Often described as Americas answer to The Beatles, The Lovinâ Spoonful were so much more. They rose out of the Greenwich Village folk boom and adjacent to the British Invasion hit big with their âgood time musicâ, an exhilarating mix of jug band, blues, folk, rock and roll and big-hearted pop. Mojo Magazineâs Lois Wilson describes the members in the notes as âJohn Sebastian, a hugely talented, often underrated songwriter with a preternatural command of words and melody; Zalman Yanovsky, a protean guitar player, capable of fuzzed out psych, mercurial blues and fingerpicked folk; then Steve Boone and Joe Butler, bass and drums respectively, who provided a rock ânâ roll framework with a jazz playerâs lightness of touchâ.
The Beatles themselves were influenced by them on âGood Day Sunshineâ while Johnny Cash covered the Spoonfulâs âDarlinâ Companionâ.
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7 CD, 170-track box set compiling the complete 1960s recordings by The Lovinâ Spoonful. Mastering is by Grammy nominated archivist/producer Alec Palao. Includes their first four studio albums Do You Believe In Magic (1965), Daydream (1966), Hums Of The Lovinâ Spoonful (1966) and Everything Playing (1967) in both stereo and mono plus stereo mixes of their two soundtrack albums The Lovinâ Spoonful In Woody Allenâs âWhatâs Up Tiger Lily? (1966) and Youâre A Big Boy Now (1967). Also contains the Joe Butler-helmed final album Revelation: Revolution â69 (1969), original guitarist Zal Yanovskyâs solo album Alive And Well In Argentina (1968) and stereo and mono versions of the early Lovinâ Spoonful tracks included on Elektraâs 1966 compilation 'Whatâs Shakinâ, the mono mixes appearing on CD for the first time.
Including all of their hits: âDo You Believe In Magicâ (US #9), âYou Didnât Have To Be So Niceâ (US #10), âDaydreamâ (US #2, UK #2), âDid You Ever Have To Make Up Your Mindâ (US #2), âSummer In The Cityâ (US #1, UK #8), âRain On The Roofâ (US #10), Nashville Cats (US # 8, UK #26), âDarling Be Home Soonâ (US #14), âSix OâClockâ (US #18) and âShe Is Still A Mysteryâ (US #27).
Bonus tracks include âAlley Oopâ, an out-take from their debut album sessions plus demos, alternative versions and instrumentals.
The Lovinâ Spoonfulâs first seven singles gave them seven consecutive US Top 10 hits. Often described as Americas answer to The Beatles, The Lovinâ Spoonful were so much more. They rose out of the Greenwich Village folk boom and adjacent to the British Invasion hit big with their âgood time musicâ, an exhilarating mix of jug band, blues, folk, rock and roll and big-hearted pop. Mojo Magazineâs Lois Wilson describes the members in the notes as âJohn Sebastian, a hugely talented, often underrated songwriter with a preternatural command of words and melody; Zalman Yanovsky, a protean guitar player, capable of fuzzed out psych, mercurial blues and fingerpicked folk; then Steve Boone and Joe Butler, bass and drums respectively, who provided a rock ânâ roll framework with a jazz playerâs lightness of touchâ.
The Beatles themselves were influenced by them on âGood Day Sunshineâ while Johnny Cash covered the Spoonfulâs âDarlinâ Companionâ.











