We've Reached A Dead End / Sugar Love
The Money Records 2â multi-track tape of âSugar Loveâ and âYou Bet I Wouldâ revealed an unknown title âWeâve Reached A Dead Endâ. This turned out to be a beautiful Richard Cason-penned ballad which featured a lush, dramatic arrangement by Los Angeles musician Ray Jackson, complete with male backing vocals.
Cason co-produced the three songs with producer Hadley Murrell who licensed the recordings to Ruth Dolphin at Money. âSugar Loveâ only appeared on the flip of the second pressing of âYou Bet I Wouldâ, the instrumental was used initially. âSugar Loveâ is in itself in-demand as a dance track. Money 606 did not sell enough to warrant a further release and the track lay unmixed in the vault until now.
Interestingly the tape was dated May 1973, just prior to the two releases, and was described on the box as a rework of a tape from July 1971 - the music certainly wasnât rushed.
Original: $19.99
-70%$19.99
$6.00We've Reached A Dead End / Sugar Love
The Money Records 2â multi-track tape of âSugar Loveâ and âYou Bet I Wouldâ revealed an unknown title âWeâve Reached A Dead Endâ. This turned out to be a beautiful Richard Cason-penned ballad which featured a lush, dramatic arrangement by Los Angeles musician Ray Jackson, complete with male backing vocals.
Cason co-produced the three songs with producer Hadley Murrell who licensed the recordings to Ruth Dolphin at Money. âSugar Loveâ only appeared on the flip of the second pressing of âYou Bet I Wouldâ, the instrumental was used initially. âSugar Loveâ is in itself in-demand as a dance track. Money 606 did not sell enough to warrant a further release and the track lay unmixed in the vault until now.
Interestingly the tape was dated May 1973, just prior to the two releases, and was described on the box as a rework of a tape from July 1971 - the music certainly wasnât rushed.
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The Money Records 2â multi-track tape of âSugar Loveâ and âYou Bet I Wouldâ revealed an unknown title âWeâve Reached A Dead Endâ. This turned out to be a beautiful Richard Cason-penned ballad which featured a lush, dramatic arrangement by Los Angeles musician Ray Jackson, complete with male backing vocals.
Cason co-produced the three songs with producer Hadley Murrell who licensed the recordings to Ruth Dolphin at Money. âSugar Loveâ only appeared on the flip of the second pressing of âYou Bet I Wouldâ, the instrumental was used initially. âSugar Loveâ is in itself in-demand as a dance track. Money 606 did not sell enough to warrant a further release and the track lay unmixed in the vault until now.
Interestingly the tape was dated May 1973, just prior to the two releases, and was described on the box as a rework of a tape from July 1971 - the music certainly wasnât rushed.
