We Come Alive
We Come Alive is Jonathan Jeremiah’s sixth studio album, via [PIAS] Recordings Germany! Â
A musical statement full of soul, suspense, and cinematic grandeur. The album is energetic and charged, driven by dramatic strings, lush arrangements, and layered choirs—all held together by Jeremiah’s unmistakable baritone voice: warm, direct, and stirring. The result is a musical patchwork of European pop history, warm soul, orchestral richness, and intimate moments. Â
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With this new album, Jeremiah not only processes the death of his father but also reflects on themes of belonging, heritage, and identity—always with a keen eye on the world around him. Musically, everything flows together: French chanson, Laurel Canyon folk, British wit, 60s film scores, and sweeping emotion. He is joined on the record by, among others, acclaimed German jazz trumpeter Till Brönner, who lends a magical first-take solo to the title track.Â
We Come Alive
We Come Alive is Jonathan Jeremiah’s sixth studio album, via [PIAS] Recordings Germany! Â
A musical statement full of soul, suspense, and cinematic grandeur. The album is energetic and charged, driven by dramatic strings, lush arrangements, and layered choirs—all held together by Jeremiah’s unmistakable baritone voice: warm, direct, and stirring. The result is a musical patchwork of European pop history, warm soul, orchestral richness, and intimate moments. Â
Â
With this new album, Jeremiah not only processes the death of his father but also reflects on themes of belonging, heritage, and identity—always with a keen eye on the world around him. Musically, everything flows together: French chanson, Laurel Canyon folk, British wit, 60s film scores, and sweeping emotion. He is joined on the record by, among others, acclaimed German jazz trumpeter Till Brönner, who lends a magical first-take solo to the title track.Â
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Description
We Come Alive is Jonathan Jeremiah’s sixth studio album, via [PIAS] Recordings Germany! Â
A musical statement full of soul, suspense, and cinematic grandeur. The album is energetic and charged, driven by dramatic strings, lush arrangements, and layered choirs—all held together by Jeremiah’s unmistakable baritone voice: warm, direct, and stirring. The result is a musical patchwork of European pop history, warm soul, orchestral richness, and intimate moments. Â
Â
With this new album, Jeremiah not only processes the death of his father but also reflects on themes of belonging, heritage, and identity—always with a keen eye on the world around him. Musically, everything flows together: French chanson, Laurel Canyon folk, British wit, 60s film scores, and sweeping emotion. He is joined on the record by, among others, acclaimed German jazz trumpeter Till Brönner, who lends a magical first-take solo to the title track.Â
