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Pivoting around a relentless industrial stomp, ā€˜909’ is perhaps the most neurotic song about talk-radio ever committed to wax. Ned Green’s first-person character observation slowly descends into madness - the unsettling closing refrain: ā€˜it’s your views, it’s your calls’ - is indicative of the quartet’s penchant for finding melodrama in the banal. Talking on the single, the band say:Ā 

ā€œ909 has existed in various forms for a few years now. There’s a 10-minute disco version somewhere. It’s a song that has developed with us and been rewritten at every stage, and now it’s in its final form: a stark, cubist, bass driven day in the life of a nine-to-fiver addicted to radio podcasts.ā€Ā 

Whilst remaining leftfield in spirit, there is a musical vulnerability to the latest iteration of Legss, and a newfound pop sensibility to their writing, which reflects a move to a more accessible sound. There is a security in inaccessibility, and shedding this cloak opens the band up to an earnestness at once exciting and nerve-wracking. Twinned with their signature world-building aesthetic, the new direction is reflected sonically by drummer Louis Grace, who co-produced the album with Balazs Altsach (Ugly, Katy J Pearson, Broadside Hacks)Ā 

On the announcement of their debut album, Unreal, the band say:Ā 

ā€œUnreal feels like the work of a lifetime. We can’t believe we’re still here to see it through, but we are and we couldn’t be prouder. The album is about miscommunication and feelings of unreality/the uncanny in everyday life; the tragic and the comic.ā€

Ā 

$12.40

Original: $41.33

-70%
Unreal—

$41.33

$12.40

Unreal

Pivoting around a relentless industrial stomp, ā€˜909’ is perhaps the most neurotic song about talk-radio ever committed to wax. Ned Green’s first-person character observation slowly descends into madness - the unsettling closing refrain: ā€˜it’s your views, it’s your calls’ - is indicative of the quartet’s penchant for finding melodrama in the banal. Talking on the single, the band say:Ā 

ā€œ909 has existed in various forms for a few years now. There’s a 10-minute disco version somewhere. It’s a song that has developed with us and been rewritten at every stage, and now it’s in its final form: a stark, cubist, bass driven day in the life of a nine-to-fiver addicted to radio podcasts.ā€Ā 

Whilst remaining leftfield in spirit, there is a musical vulnerability to the latest iteration of Legss, and a newfound pop sensibility to their writing, which reflects a move to a more accessible sound. There is a security in inaccessibility, and shedding this cloak opens the band up to an earnestness at once exciting and nerve-wracking. Twinned with their signature world-building aesthetic, the new direction is reflected sonically by drummer Louis Grace, who co-produced the album with Balazs Altsach (Ugly, Katy J Pearson, Broadside Hacks)Ā 

On the announcement of their debut album, Unreal, the band say:Ā 

ā€œUnreal feels like the work of a lifetime. We can’t believe we’re still here to see it through, but we are and we couldn’t be prouder. The album is about miscommunication and feelings of unreality/the uncanny in everyday life; the tragic and the comic.ā€

Ā 

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Pivoting around a relentless industrial stomp, ā€˜909’ is perhaps the most neurotic song about talk-radio ever committed to wax. Ned Green’s first-person character observation slowly descends into madness - the unsettling closing refrain: ā€˜it’s your views, it’s your calls’ - is indicative of the quartet’s penchant for finding melodrama in the banal. Talking on the single, the band say:Ā 

ā€œ909 has existed in various forms for a few years now. There’s a 10-minute disco version somewhere. It’s a song that has developed with us and been rewritten at every stage, and now it’s in its final form: a stark, cubist, bass driven day in the life of a nine-to-fiver addicted to radio podcasts.ā€Ā 

Whilst remaining leftfield in spirit, there is a musical vulnerability to the latest iteration of Legss, and a newfound pop sensibility to their writing, which reflects a move to a more accessible sound. There is a security in inaccessibility, and shedding this cloak opens the band up to an earnestness at once exciting and nerve-wracking. Twinned with their signature world-building aesthetic, the new direction is reflected sonically by drummer Louis Grace, who co-produced the album with Balazs Altsach (Ugly, Katy J Pearson, Broadside Hacks)Ā 

On the announcement of their debut album, Unreal, the band say:Ā 

ā€œUnreal feels like the work of a lifetime. We can’t believe we’re still here to see it through, but we are and we couldn’t be prouder. The album is about miscommunication and feelings of unreality/the uncanny in everyday life; the tragic and the comic.ā€

Ā 

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