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Trouble

Trouble

Albums of the Year 2025: #91

Trouble is a patchwork of sorts: its 11 songs are not only eclectic in genre but play like stitched-together vignettes, fly-on-the-wall scenes in which Gina describes meeting a stranger on a train, or a flare up with her teenage daughter, or the nostalgia of driving past a certain part of your neighborhood that’s been unchanged for as long as you can remember.

It’s the politics of the everyday, a work that is feminist not because of slogans or placards, but because it’s a candid portrait of a female artist simply existing.

ā€œIt's a bit out there, a bit off the tracks, and I always like to go there,ā€ says Gina about the album’s diaristic undertones. ā€œI unofficially subtitled the album ā€˜Trouble I've Caused and Trouble I'm In’, so the songs are based around that feeling—that dangerous place to be.ā€

As such, the connecting factor that links all the songs on Trouble together isn’t one single ideology or theme or topic, but Gina herself. It’s her vision, informed by her status as a rock icon, her voice as a forward-thinking artist, and her perspective as someone who just thinks life should be a bit of a laugh sometimes.

For a musician who has had such an impact on her genre, it’s downright life-affirming to realize that she still has so much to share with her audience—and frankly, Trouble is just cracking the surface.

ā€œThese songs came to me like a radio tuning, the airwaves going along, and I just plucked them out of the air. Something just clicks in the atmosphere, and I just take it. I'm not writing an opus about one thing. I'm writing an opus about being me.ā€

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Trouble

Albums of the Year 2025: #91

Trouble is a patchwork of sorts: its 11 songs are not only eclectic in genre but play like stitched-together vignettes, fly-on-the-wall scenes in which Gina describes meeting a stranger on a train, or a flare up with her teenage daughter, or the nostalgia of driving past a certain part of your neighborhood that’s been unchanged for as long as you can remember.

It’s the politics of the everyday, a work that is feminist not because of slogans or placards, but because it’s a candid portrait of a female artist simply existing.

ā€œIt's a bit out there, a bit off the tracks, and I always like to go there,ā€ says Gina about the album’s diaristic undertones. ā€œI unofficially subtitled the album ā€˜Trouble I've Caused and Trouble I'm In’, so the songs are based around that feeling—that dangerous place to be.ā€

As such, the connecting factor that links all the songs on Trouble together isn’t one single ideology or theme or topic, but Gina herself. It’s her vision, informed by her status as a rock icon, her voice as a forward-thinking artist, and her perspective as someone who just thinks life should be a bit of a laugh sometimes.

For a musician who has had such an impact on her genre, it’s downright life-affirming to realize that she still has so much to share with her audience—and frankly, Trouble is just cracking the surface.

ā€œThese songs came to me like a radio tuning, the airwaves going along, and I just plucked them out of the air. Something just clicks in the atmosphere, and I just take it. I'm not writing an opus about one thing. I'm writing an opus about being me.ā€

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Albums of the Year 2025: #91

Trouble is a patchwork of sorts: its 11 songs are not only eclectic in genre but play like stitched-together vignettes, fly-on-the-wall scenes in which Gina describes meeting a stranger on a train, or a flare up with her teenage daughter, or the nostalgia of driving past a certain part of your neighborhood that’s been unchanged for as long as you can remember.

It’s the politics of the everyday, a work that is feminist not because of slogans or placards, but because it’s a candid portrait of a female artist simply existing.

ā€œIt's a bit out there, a bit off the tracks, and I always like to go there,ā€ says Gina about the album’s diaristic undertones. ā€œI unofficially subtitled the album ā€˜Trouble I've Caused and Trouble I'm In’, so the songs are based around that feeling—that dangerous place to be.ā€

As such, the connecting factor that links all the songs on Trouble together isn’t one single ideology or theme or topic, but Gina herself. It’s her vision, informed by her status as a rock icon, her voice as a forward-thinking artist, and her perspective as someone who just thinks life should be a bit of a laugh sometimes.

For a musician who has had such an impact on her genre, it’s downright life-affirming to realize that she still has so much to share with her audience—and frankly, Trouble is just cracking the surface.

ā€œThese songs came to me like a radio tuning, the airwaves going along, and I just plucked them out of the air. Something just clicks in the atmosphere, and I just take it. I'm not writing an opus about one thing. I'm writing an opus about being me.ā€