Trinity
âMost jazz records are made in studios with perfect acoustics. Ours was made in a French chĂąteau surrounded by vineyards. And the acoustics were perfect too. The atmosphere was as rich and complex as the regionâs finest vintages - a setting unlike any other for a jazz session.
 âMorten Lund, Kaisa MĂ€ensivu, and I - each an artist in our own right - had never shared a stage before that day. And yet, in that moment, something clicked. Under the high ceilings of the chĂąteau, surrounded by barrels of aging wine, we reached into the Great American Songbook and pulled out something fresh, alive, and new.
âWe love these tunes. Theyâre like perfect little stories packed into 32 bars. The jazz standards are our roots. These Broadway and Hollywood melo dies are the songs that shaped this music - and we wanted to give them our voice, here and now.
âAlso included on the album are two French songs - a lovely idea from our producer, Andreas Brandis. âHymne Ă lâAmourâ is a song Iâve known since childhood. The lullaby âFais dodo, Colas mon pâtit frĂšreâ is familiar only to French people, but I think we captured a beautiful version of it.â - iiro Rantala
Trinity
âMost jazz records are made in studios with perfect acoustics. Ours was made in a French chĂąteau surrounded by vineyards. And the acoustics were perfect too. The atmosphere was as rich and complex as the regionâs finest vintages - a setting unlike any other for a jazz session.
 âMorten Lund, Kaisa MĂ€ensivu, and I - each an artist in our own right - had never shared a stage before that day. And yet, in that moment, something clicked. Under the high ceilings of the chĂąteau, surrounded by barrels of aging wine, we reached into the Great American Songbook and pulled out something fresh, alive, and new.
âWe love these tunes. Theyâre like perfect little stories packed into 32 bars. The jazz standards are our roots. These Broadway and Hollywood melo dies are the songs that shaped this music - and we wanted to give them our voice, here and now.
âAlso included on the album are two French songs - a lovely idea from our producer, Andreas Brandis. âHymne Ă lâAmourâ is a song Iâve known since childhood. The lullaby âFais dodo, Colas mon pâtit frĂšreâ is familiar only to French people, but I think we captured a beautiful version of it.â - iiro Rantala
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âMost jazz records are made in studios with perfect acoustics. Ours was made in a French chĂąteau surrounded by vineyards. And the acoustics were perfect too. The atmosphere was as rich and complex as the regionâs finest vintages - a setting unlike any other for a jazz session.
 âMorten Lund, Kaisa MĂ€ensivu, and I - each an artist in our own right - had never shared a stage before that day. And yet, in that moment, something clicked. Under the high ceilings of the chĂąteau, surrounded by barrels of aging wine, we reached into the Great American Songbook and pulled out something fresh, alive, and new.
âWe love these tunes. Theyâre like perfect little stories packed into 32 bars. The jazz standards are our roots. These Broadway and Hollywood melo dies are the songs that shaped this music - and we wanted to give them our voice, here and now.
âAlso included on the album are two French songs - a lovely idea from our producer, Andreas Brandis. âHymne Ă lâAmourâ is a song Iâve known since childhood. The lullaby âFais dodo, Colas mon pâtit frĂšreâ is familiar only to French people, but I think we captured a beautiful version of it.â - iiro Rantala
