
Trinity
Trinity, the third collaborative album between Lawrence English and Stephen Vitiello, continues the pair’s patient, pliable musical explorations while marrying them with a unique collaborator—one per track—to map new territories. Trinity presents five collaborations with acclaimed artists who work at the edges of sound and genre: Chris Abrahams (The Necks), improvising turntablist Marina Rosenfeld, Brendan Canty (Fugazi, The Messthetics), multidisciplinary artist Aki Onda, and the late contemporary artist and lowercase musician Steve Roden. The results deepen the music’s immediacy and directness, while pushing it in directions neither English nor Vitiello could have foreseen.
Original: $36.00
-70%$36.00
$10.80Trinity
Trinity, the third collaborative album between Lawrence English and Stephen Vitiello, continues the pair’s patient, pliable musical explorations while marrying them with a unique collaborator—one per track—to map new territories. Trinity presents five collaborations with acclaimed artists who work at the edges of sound and genre: Chris Abrahams (The Necks), improvising turntablist Marina Rosenfeld, Brendan Canty (Fugazi, The Messthetics), multidisciplinary artist Aki Onda, and the late contemporary artist and lowercase musician Steve Roden. The results deepen the music’s immediacy and directness, while pushing it in directions neither English nor Vitiello could have foreseen.
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Description
Trinity, the third collaborative album between Lawrence English and Stephen Vitiello, continues the pair’s patient, pliable musical explorations while marrying them with a unique collaborator—one per track—to map new territories. Trinity presents five collaborations with acclaimed artists who work at the edges of sound and genre: Chris Abrahams (The Necks), improvising turntablist Marina Rosenfeld, Brendan Canty (Fugazi, The Messthetics), multidisciplinary artist Aki Onda, and the late contemporary artist and lowercase musician Steve Roden. The results deepen the music’s immediacy and directness, while pushing it in directions neither English nor Vitiello could have foreseen.











