
Tract: A Composition Of Agitprop Music For Electromagnetic Tape
Created by Turkish musician and electronic music composer İlhan MimaroÄlu, Tract is dedicated to fellow countryman NÈzim Hikmet, whom MimaroÄlu regarded âas the greatest poet of the revolutionary struggles.â Utilizing the voice of Turkish singer TĂŒlay German (identified as Tuly Sand on this recording), MimaroÄlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution. Although his text is based on âdirect and paraphrased quotationsâ from Bakunin, Brecht, Mao, Marx, and others, it is not pro-Soviet but rather New Left, pro-freedom. The performance was composed and recorded over a two-year period (1972â1974) in Paris and New York. The liner notes contain MimaroÄluâs introduction to the work and explanation of the composition process, performance context, and dedication to Hikmet.
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Tract: A Composition Of Agitprop Music For Electromagnetic Tape
Created by Turkish musician and electronic music composer İlhan MimaroÄlu, Tract is dedicated to fellow countryman NÈzim Hikmet, whom MimaroÄlu regarded âas the greatest poet of the revolutionary struggles.â Utilizing the voice of Turkish singer TĂŒlay German (identified as Tuly Sand on this recording), MimaroÄlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution. Although his text is based on âdirect and paraphrased quotationsâ from Bakunin, Brecht, Mao, Marx, and others, it is not pro-Soviet but rather New Left, pro-freedom. The performance was composed and recorded over a two-year period (1972â1974) in Paris and New York. The liner notes contain MimaroÄluâs introduction to the work and explanation of the composition process, performance context, and dedication to Hikmet.
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Created by Turkish musician and electronic music composer İlhan MimaroÄlu, Tract is dedicated to fellow countryman NÈzim Hikmet, whom MimaroÄlu regarded âas the greatest poet of the revolutionary struggles.â Utilizing the voice of Turkish singer TĂŒlay German (identified as Tuly Sand on this recording), MimaroÄlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution. Although his text is based on âdirect and paraphrased quotationsâ from Bakunin, Brecht, Mao, Marx, and others, it is not pro-Soviet but rather New Left, pro-freedom. The performance was composed and recorded over a two-year period (1972â1974) in Paris and New York. The liner notes contain MimaroÄluâs introduction to the work and explanation of the composition process, performance context, and dedication to Hikmet.











