Tidal Wave
It's difficult to believe that Tidal Wave is Taking Back Sunday's seventh album; it’s not only the follow-up to 2014's Happiness Is but also marks the first time the group have ever made three consecutive albums with the same lineup. The band brought back producer Mike Sapone and mixer Claudius Mittendorfer, who both worked on Happiness Is.
Tidal Wave also marks the first time that Taking Back Sunday wrote in the studio as they recorded. Having that type of fluidity when it came to the songwriting also lent itself to heightened collaboration and creativity throughout the process. “It was really amazing to be able to write in the studio because we could come up with an idea, perform it, and then listen back to it immediately instead of feeling boxed in by what we did on demos,” Lazzara explains.
“Every song was up for being changed or rewritten when we were in the studio, which was an approach that Adam really encouraged, and nothing was ever set in stone in the sense that if someone had any idea for how to make a song better, we would give it a shot,” Nolan adds.
Nolan specifically cites 'Homecoming' as a song the band constantly kept returning to in order to finally achieve the version that's present on Tidal Wave.
In many ways, the album showcases the strengths of Taking Back Sunday's musical evolution from the blazing opener “Death Wolf” to the orchestrally tinged ballad “Fences” and syncopated anthem “Call Come Running.” However, as stated earlier, there are also plenty of surprises on Tidal Wave such as the four-on-the-floor title track which sees them channeling the Clash both sonically and energetically.
“I think this idea of making songs that we wrote for ourselves started with Happiness Is and since the reaction to that album was so positive, it really encouraged us to take that a step further with this album,” Nolan explains.
Furthermore, songs like “You Can't Look Back” see Lazzara taking his vocals to stratospheric new levels in order to elevate these songs to a whole other plane of existence. “In the same spirit of being fearless when it came to the music, I tried to lean on the influence of some of my favorite singers on this album,” Lazzara explains.
Admittedly, the process of making Tidal Wave wasn't easy but ultimately the best art doesn't come out of stagnancy and the band couldn't be happier with the final product. “We pushed ourselves so hard that when I listen back to this album now I don't second-guess any of it,” Lazzara explains.
Sure, it may seem ironic that Taking Back Sunday have transcended the emo tag right when the genre is undergoing a resurgence – but if you really think about it, those types of decisions are exactly what have kept the band relevant. “I do so many interviews now where I get asked about the emo revival and I'm like, 'what are you talking about? We never slowed down and we never quit,” he summarizes.
“I think this record is going to help us reconnect with our old fans as well as cross paths with some new ones but in the end we wrote it for ourselves and we couldn't be happier with it.” In other words, when Lazzara sings, “It's taken me all this time to see... I'm coming home” on the acoustic showstopper “Homecoming” it's not just about geography, it also parallels the next exciting chapter in Taking Back Sunday's career. Welcome back, guys.
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Tidal Wave
It's difficult to believe that Tidal Wave is Taking Back Sunday's seventh album; it’s not only the follow-up to 2014's Happiness Is but also marks the first time the group have ever made three consecutive albums with the same lineup. The band brought back producer Mike Sapone and mixer Claudius Mittendorfer, who both worked on Happiness Is.
Tidal Wave also marks the first time that Taking Back Sunday wrote in the studio as they recorded. Having that type of fluidity when it came to the songwriting also lent itself to heightened collaboration and creativity throughout the process. “It was really amazing to be able to write in the studio because we could come up with an idea, perform it, and then listen back to it immediately instead of feeling boxed in by what we did on demos,” Lazzara explains.
“Every song was up for being changed or rewritten when we were in the studio, which was an approach that Adam really encouraged, and nothing was ever set in stone in the sense that if someone had any idea for how to make a song better, we would give it a shot,” Nolan adds.
Nolan specifically cites 'Homecoming' as a song the band constantly kept returning to in order to finally achieve the version that's present on Tidal Wave.
In many ways, the album showcases the strengths of Taking Back Sunday's musical evolution from the blazing opener “Death Wolf” to the orchestrally tinged ballad “Fences” and syncopated anthem “Call Come Running.” However, as stated earlier, there are also plenty of surprises on Tidal Wave such as the four-on-the-floor title track which sees them channeling the Clash both sonically and energetically.
“I think this idea of making songs that we wrote for ourselves started with Happiness Is and since the reaction to that album was so positive, it really encouraged us to take that a step further with this album,” Nolan explains.
Furthermore, songs like “You Can't Look Back” see Lazzara taking his vocals to stratospheric new levels in order to elevate these songs to a whole other plane of existence. “In the same spirit of being fearless when it came to the music, I tried to lean on the influence of some of my favorite singers on this album,” Lazzara explains.
Admittedly, the process of making Tidal Wave wasn't easy but ultimately the best art doesn't come out of stagnancy and the band couldn't be happier with the final product. “We pushed ourselves so hard that when I listen back to this album now I don't second-guess any of it,” Lazzara explains.
Sure, it may seem ironic that Taking Back Sunday have transcended the emo tag right when the genre is undergoing a resurgence – but if you really think about it, those types of decisions are exactly what have kept the band relevant. “I do so many interviews now where I get asked about the emo revival and I'm like, 'what are you talking about? We never slowed down and we never quit,” he summarizes.
“I think this record is going to help us reconnect with our old fans as well as cross paths with some new ones but in the end we wrote it for ourselves and we couldn't be happier with it.” In other words, when Lazzara sings, “It's taken me all this time to see... I'm coming home” on the acoustic showstopper “Homecoming” it's not just about geography, it also parallels the next exciting chapter in Taking Back Sunday's career. Welcome back, guys.
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It's difficult to believe that Tidal Wave is Taking Back Sunday's seventh album; it’s not only the follow-up to 2014's Happiness Is but also marks the first time the group have ever made three consecutive albums with the same lineup. The band brought back producer Mike Sapone and mixer Claudius Mittendorfer, who both worked on Happiness Is.
Tidal Wave also marks the first time that Taking Back Sunday wrote in the studio as they recorded. Having that type of fluidity when it came to the songwriting also lent itself to heightened collaboration and creativity throughout the process. “It was really amazing to be able to write in the studio because we could come up with an idea, perform it, and then listen back to it immediately instead of feeling boxed in by what we did on demos,” Lazzara explains.
“Every song was up for being changed or rewritten when we were in the studio, which was an approach that Adam really encouraged, and nothing was ever set in stone in the sense that if someone had any idea for how to make a song better, we would give it a shot,” Nolan adds.
Nolan specifically cites 'Homecoming' as a song the band constantly kept returning to in order to finally achieve the version that's present on Tidal Wave.
In many ways, the album showcases the strengths of Taking Back Sunday's musical evolution from the blazing opener “Death Wolf” to the orchestrally tinged ballad “Fences” and syncopated anthem “Call Come Running.” However, as stated earlier, there are also plenty of surprises on Tidal Wave such as the four-on-the-floor title track which sees them channeling the Clash both sonically and energetically.
“I think this idea of making songs that we wrote for ourselves started with Happiness Is and since the reaction to that album was so positive, it really encouraged us to take that a step further with this album,” Nolan explains.
Furthermore, songs like “You Can't Look Back” see Lazzara taking his vocals to stratospheric new levels in order to elevate these songs to a whole other plane of existence. “In the same spirit of being fearless when it came to the music, I tried to lean on the influence of some of my favorite singers on this album,” Lazzara explains.
Admittedly, the process of making Tidal Wave wasn't easy but ultimately the best art doesn't come out of stagnancy and the band couldn't be happier with the final product. “We pushed ourselves so hard that when I listen back to this album now I don't second-guess any of it,” Lazzara explains.
Sure, it may seem ironic that Taking Back Sunday have transcended the emo tag right when the genre is undergoing a resurgence – but if you really think about it, those types of decisions are exactly what have kept the band relevant. “I do so many interviews now where I get asked about the emo revival and I'm like, 'what are you talking about? We never slowed down and we never quit,” he summarizes.
“I think this record is going to help us reconnect with our old fans as well as cross paths with some new ones but in the end we wrote it for ourselves and we couldn't be happier with it.” In other words, when Lazzara sings, “It's taken me all this time to see... I'm coming home” on the acoustic showstopper “Homecoming” it's not just about geography, it also parallels the next exciting chapter in Taking Back Sunday's career. Welcome back, guys.
