
The Wind Doesn't Blow This Far Right
New EP by Cavan songwriter Lisa OâNeill is comprised of a group of six tracks, they include the haunting rendition of Bob Dylanâs âAll The Tired Horsesâ that Lisa recorded to soundtrack the closing scene of the final episode of Peaky Blinders, plus âHomeless In The Thousands (Dublin in the Digital Age)â featuring Peter Doherty, released as a stand-alone single in January of this year.
It was not the first time OâNeill has written about social injustices on the cusp of a change. Songs like âRock the Machineâ about unemployment in the Dublin dock lands, âWhen Cash Was Kingâ about the move to a cashless society and âViolet Gibsonâ about the Irish woman who attempted to assassinate Mussolini in 1926 â this new song was written in response to the growing issue of homelessness in Dublin and Ireland. Added to these are a new song and recent live favourite âMother Jonesâ about the Irish activist who emigrated to America and became a union organiser, Mary G. Harris Jones, who in 1902 was called âthe most dangerous woman in Americaâ - following her organising of miners against mine owners leading directly to the introduction of Americaâs first child labour laws. The EP is completed with a stunning version of the seasonally topical âThe Bleak Midwinterâ and a moving reading of the James Stevens poem âAutumn 1915â.
Original: $22.66
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$6.80The Wind Doesn't Blow This Far Right
New EP by Cavan songwriter Lisa OâNeill is comprised of a group of six tracks, they include the haunting rendition of Bob Dylanâs âAll The Tired Horsesâ that Lisa recorded to soundtrack the closing scene of the final episode of Peaky Blinders, plus âHomeless In The Thousands (Dublin in the Digital Age)â featuring Peter Doherty, released as a stand-alone single in January of this year.
It was not the first time OâNeill has written about social injustices on the cusp of a change. Songs like âRock the Machineâ about unemployment in the Dublin dock lands, âWhen Cash Was Kingâ about the move to a cashless society and âViolet Gibsonâ about the Irish woman who attempted to assassinate Mussolini in 1926 â this new song was written in response to the growing issue of homelessness in Dublin and Ireland. Added to these are a new song and recent live favourite âMother Jonesâ about the Irish activist who emigrated to America and became a union organiser, Mary G. Harris Jones, who in 1902 was called âthe most dangerous woman in Americaâ - following her organising of miners against mine owners leading directly to the introduction of Americaâs first child labour laws. The EP is completed with a stunning version of the seasonally topical âThe Bleak Midwinterâ and a moving reading of the James Stevens poem âAutumn 1915â.
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New EP by Cavan songwriter Lisa OâNeill is comprised of a group of six tracks, they include the haunting rendition of Bob Dylanâs âAll The Tired Horsesâ that Lisa recorded to soundtrack the closing scene of the final episode of Peaky Blinders, plus âHomeless In The Thousands (Dublin in the Digital Age)â featuring Peter Doherty, released as a stand-alone single in January of this year.
It was not the first time OâNeill has written about social injustices on the cusp of a change. Songs like âRock the Machineâ about unemployment in the Dublin dock lands, âWhen Cash Was Kingâ about the move to a cashless society and âViolet Gibsonâ about the Irish woman who attempted to assassinate Mussolini in 1926 â this new song was written in response to the growing issue of homelessness in Dublin and Ireland. Added to these are a new song and recent live favourite âMother Jonesâ about the Irish activist who emigrated to America and became a union organiser, Mary G. Harris Jones, who in 1902 was called âthe most dangerous woman in Americaâ - following her organising of miners against mine owners leading directly to the introduction of Americaâs first child labour laws. The EP is completed with a stunning version of the seasonally topical âThe Bleak Midwinterâ and a moving reading of the James Stevens poem âAutumn 1915â.











