Something to Consume
Absolute gem of an album from Die Spitz on Third Man. Ferocious, versatile, raw, and unapologetic. It has the same thrill as hearing Hole for the first time.
When the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen different ways to push back.
If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionize.
On their debut album, Something to Consume (via Third Man Records), Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life. "There's a political side to it, but addiction and love can also be all-consuming," Livingston says.
And as the foursome trade off instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.
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Something to Consume
Absolute gem of an album from Die Spitz on Third Man. Ferocious, versatile, raw, and unapologetic. It has the same thrill as hearing Hole for the first time.
When the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen different ways to push back.
If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionize.
On their debut album, Something to Consume (via Third Man Records), Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life. "There's a political side to it, but addiction and love can also be all-consuming," Livingston says.
And as the foursome trade off instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.
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Absolute gem of an album from Die Spitz on Third Man. Ferocious, versatile, raw, and unapologetic. It has the same thrill as hearing Hole for the first time.
When the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen different ways to push back.
If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionize.
On their debut album, Something to Consume (via Third Man Records), Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life. "There's a political side to it, but addiction and love can also be all-consuming," Livingston says.
And as the foursome trade off instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.
