Something He Can Handle
Something He Can Handle is a masterful debut album that boasts seven Prewitt originals and three additional tunes that feel like Prewitt wrote them.  Traditional themes of leaving home, love won and lost, and loneliness are presented in a fresh way in songs that capture these human emotions.  Humor is never too far from Prewitt either, as evident by his reflections on the pitfalls of the social ramble in “Put the Bottle Down” and his cut of the tune “What’s the Matter with the Mill”.  Six tracks were recorded Monroe-style live in studio with a full band, while four others were recorded with Prewitt and his guitar and/or mandolin.  Prewitt’s strong baritone vocals and Aaron Bibelhauser’s harmony vocals shine throughout the album. Backing up Prewitt are Dan Eubanks (bass), Brady Wallen (banjo), Jeff Guernsey (fiddle), and Aaron Bibelhauser (harmony vocals/guitar/dobro).
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$6.80Something He Can Handle
Something He Can Handle is a masterful debut album that boasts seven Prewitt originals and three additional tunes that feel like Prewitt wrote them.  Traditional themes of leaving home, love won and lost, and loneliness are presented in a fresh way in songs that capture these human emotions.  Humor is never too far from Prewitt either, as evident by his reflections on the pitfalls of the social ramble in “Put the Bottle Down” and his cut of the tune “What’s the Matter with the Mill”.  Six tracks were recorded Monroe-style live in studio with a full band, while four others were recorded with Prewitt and his guitar and/or mandolin.  Prewitt’s strong baritone vocals and Aaron Bibelhauser’s harmony vocals shine throughout the album. Backing up Prewitt are Dan Eubanks (bass), Brady Wallen (banjo), Jeff Guernsey (fiddle), and Aaron Bibelhauser (harmony vocals/guitar/dobro).
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Description
Something He Can Handle is a masterful debut album that boasts seven Prewitt originals and three additional tunes that feel like Prewitt wrote them.  Traditional themes of leaving home, love won and lost, and loneliness are presented in a fresh way in songs that capture these human emotions.  Humor is never too far from Prewitt either, as evident by his reflections on the pitfalls of the social ramble in “Put the Bottle Down” and his cut of the tune “What’s the Matter with the Mill”.  Six tracks were recorded Monroe-style live in studio with a full band, while four others were recorded with Prewitt and his guitar and/or mandolin.  Prewitt’s strong baritone vocals and Aaron Bibelhauser’s harmony vocals shine throughout the album. Backing up Prewitt are Dan Eubanks (bass), Brady Wallen (banjo), Jeff Guernsey (fiddle), and Aaron Bibelhauser (harmony vocals/guitar/dobro).
