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Sin & Soul... And Then Some
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Sin & Soul... And Then Some

Sin & Soul... And Then Some

Oscar Brown Jr.’s Sin & Soul… And Then Some (1960) is a landmark vocal jazz and spoken-word album that blends social commentary, wit, and deep emotional storytelling. Brown moves fluidly between singing, spoken monologue, and theatrical delivery, reworking standards like “Work Song” and “Dat Dere” with sharp, character-driven lyrics while introducing originals such as “Bid ’Em In,” a chilling anti-slavery narrative. The album showcases his unique mix of jazz phrasing, blues influence, satire, and civil rights–era consciousness, establishing Brown as one of the most distinctive and literate voices of early 1960s jazz poetry and performance.

$10.00

Original: $33.33

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Sin & Soul... And Then Some—

$33.33

$10.00

Sin & Soul... And Then Some

Oscar Brown Jr.’s Sin & Soul… And Then Some (1960) is a landmark vocal jazz and spoken-word album that blends social commentary, wit, and deep emotional storytelling. Brown moves fluidly between singing, spoken monologue, and theatrical delivery, reworking standards like “Work Song” and “Dat Dere” with sharp, character-driven lyrics while introducing originals such as “Bid ’Em In,” a chilling anti-slavery narrative. The album showcases his unique mix of jazz phrasing, blues influence, satire, and civil rights–era consciousness, establishing Brown as one of the most distinctive and literate voices of early 1960s jazz poetry and performance.

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Oscar Brown Jr.’s Sin & Soul… And Then Some (1960) is a landmark vocal jazz and spoken-word album that blends social commentary, wit, and deep emotional storytelling. Brown moves fluidly between singing, spoken monologue, and theatrical delivery, reworking standards like “Work Song” and “Dat Dere” with sharp, character-driven lyrics while introducing originals such as “Bid ’Em In,” a chilling anti-slavery narrative. The album showcases his unique mix of jazz phrasing, blues influence, satire, and civil rights–era consciousness, establishing Brown as one of the most distinctive and literate voices of early 1960s jazz poetry and performance.

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