Shack-Man
Though the trio of John Medeski, Billy Martin, and Chris Wood had already expanded the jazz genre with their first three records (two of which we have reissued here at Real Gone Music), it was this 1996 album that really crossed over and won the ensemble a whole new legion of listeners in the ājam bandā camp. Recorded in a remote, solar-powered plywood shack in Hawaii (hence the title), Shack-Man brought the ā70s soul-jazz beloved by the band firmly into the ā90s, propelled by Medeskiās simultaneously nostalgic yet forward-thinking excursions on the Hammond B-3. A masterpiece of groove, out on vinyl for the first time!
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Shack-Man
Though the trio of John Medeski, Billy Martin, and Chris Wood had already expanded the jazz genre with their first three records (two of which we have reissued here at Real Gone Music), it was this 1996 album that really crossed over and won the ensemble a whole new legion of listeners in the ājam bandā camp. Recorded in a remote, solar-powered plywood shack in Hawaii (hence the title), Shack-Man brought the ā70s soul-jazz beloved by the band firmly into the ā90s, propelled by Medeskiās simultaneously nostalgic yet forward-thinking excursions on the Hammond B-3. A masterpiece of groove, out on vinyl for the first time!
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Though the trio of John Medeski, Billy Martin, and Chris Wood had already expanded the jazz genre with their first three records (two of which we have reissued here at Real Gone Music), it was this 1996 album that really crossed over and won the ensemble a whole new legion of listeners in the ājam bandā camp. Recorded in a remote, solar-powered plywood shack in Hawaii (hence the title), Shack-Man brought the ā70s soul-jazz beloved by the band firmly into the ā90s, propelled by Medeskiās simultaneously nostalgic yet forward-thinking excursions on the Hammond B-3. A masterpiece of groove, out on vinyl for the first time!
