Reverse Acceleration of Dragons
12th Isle ready the first of many new releases after a break over the first half of 2025. Radx is a new collaborative endeavour between label artists X.Y.R. and Vlad Dobrovolski (Ā½ of S A D) exploring a shared appreciation of vintage 80s & 90s synthesisers, ambient-adjacent furniture music and, er, dragons. Referencing the electronica of artists such as Kim Cascone/Hydrosphere as well as the sci-fi literature of Michael Swanwick where dragons act as living machines, the pair combine various synthesis models, pedals and samplers for an album that sits somewhere firmly between each of their solo works. From the cathedralic ascension of āHeavenly Shepherd of Silenceā to the back-room bean bag swirls of āOvgoās Etheric Mindā and dense, jungle-like humidity of āLiminal Spaceā, the more ambient-leaning end of the catalogue is built upon further.
Reverse Acceleration of Dragons
12th Isle ready the first of many new releases after a break over the first half of 2025. Radx is a new collaborative endeavour between label artists X.Y.R. and Vlad Dobrovolski (Ā½ of S A D) exploring a shared appreciation of vintage 80s & 90s synthesisers, ambient-adjacent furniture music and, er, dragons. Referencing the electronica of artists such as Kim Cascone/Hydrosphere as well as the sci-fi literature of Michael Swanwick where dragons act as living machines, the pair combine various synthesis models, pedals and samplers for an album that sits somewhere firmly between each of their solo works. From the cathedralic ascension of āHeavenly Shepherd of Silenceā to the back-room bean bag swirls of āOvgoās Etheric Mindā and dense, jungle-like humidity of āLiminal Spaceā, the more ambient-leaning end of the catalogue is built upon further.
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Description
12th Isle ready the first of many new releases after a break over the first half of 2025. Radx is a new collaborative endeavour between label artists X.Y.R. and Vlad Dobrovolski (Ā½ of S A D) exploring a shared appreciation of vintage 80s & 90s synthesisers, ambient-adjacent furniture music and, er, dragons. Referencing the electronica of artists such as Kim Cascone/Hydrosphere as well as the sci-fi literature of Michael Swanwick where dragons act as living machines, the pair combine various synthesis models, pedals and samplers for an album that sits somewhere firmly between each of their solo works. From the cathedralic ascension of āHeavenly Shepherd of Silenceā to the back-room bean bag swirls of āOvgoās Etheric Mindā and dense, jungle-like humidity of āLiminal Spaceā, the more ambient-leaning end of the catalogue is built upon further.
