Patternmaster
In his review of Mark Turner’s last quartet effort for ECM, 2022’s Return From The Stars, the Swiss daily Weltwoche’s Peter Ruedi described the program as “the leanest, most concentrated, and most inspired improvised chamber music imaginable.” It’s a fitting description of the tenor saxophonist’s powerful quartet endeavors, which seem to have arrived at their most sophisticated and hard-hitting on Patternmaster, an album that in many respects feels like a continuation and expansion of the group’s last recording. Both boundless improvisation and cool control are driving motors behind a quartet that has molded its common musical understanding over years on the road and in the studio. “The more you trust, the more chances you can take and the deeper you can go with people,” says the leader, who feels that within this group’s chemistry he can go “beyond craft and gage into the art of music more in depth.”
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Patternmaster
In his review of Mark Turner’s last quartet effort for ECM, 2022’s Return From The Stars, the Swiss daily Weltwoche’s Peter Ruedi described the program as “the leanest, most concentrated, and most inspired improvised chamber music imaginable.” It’s a fitting description of the tenor saxophonist’s powerful quartet endeavors, which seem to have arrived at their most sophisticated and hard-hitting on Patternmaster, an album that in many respects feels like a continuation and expansion of the group’s last recording. Both boundless improvisation and cool control are driving motors behind a quartet that has molded its common musical understanding over years on the road and in the studio. “The more you trust, the more chances you can take and the deeper you can go with people,” says the leader, who feels that within this group’s chemistry he can go “beyond craft and gage into the art of music more in depth.”
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Description
In his review of Mark Turner’s last quartet effort for ECM, 2022’s Return From The Stars, the Swiss daily Weltwoche’s Peter Ruedi described the program as “the leanest, most concentrated, and most inspired improvised chamber music imaginable.” It’s a fitting description of the tenor saxophonist’s powerful quartet endeavors, which seem to have arrived at their most sophisticated and hard-hitting on Patternmaster, an album that in many respects feels like a continuation and expansion of the group’s last recording. Both boundless improvisation and cool control are driving motors behind a quartet that has molded its common musical understanding over years on the road and in the studio. “The more you trust, the more chances you can take and the deeper you can go with people,” says the leader, who feels that within this group’s chemistry he can go “beyond craft and gage into the art of music more in depth.”
