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Parody of Pleasure
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Parody of Pleasure

Parody of Pleasure

Lydia Night releases her debut solo album, Parody of Pleasure, an unabashed and uninhibited embrace of the pop genre that was so formative to Night. “As a kid I was obsessed with punk because of my dad, but when I got older my mom introduced me to the pop music that stuck with me forever and inspired a lot of this record, like Gwen Stefani and Madonna and Britney Spears,”   Night’s songwriting gives language to the multilayered experience of women in the modern era, with unguarded honesty and the self-awareness and humour that’s been a trademark of her work since she founded The Regrettes at age 15. “Some of these songs make me want to cry, other songs make me want to dance; overall they fill whatever space I need them to.” says Night.   Over the course of its 13 tracks, Parody of Pleasure reveals the multitudes contained within Night, from subversive humor to raw sensitivity to fearless self-possession

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Parody of Pleasure

Lydia Night releases her debut solo album, Parody of Pleasure, an unabashed and uninhibited embrace of the pop genre that was so formative to Night. “As a kid I was obsessed with punk because of my dad, but when I got older my mom introduced me to the pop music that stuck with me forever and inspired a lot of this record, like Gwen Stefani and Madonna and Britney Spears,”   Night’s songwriting gives language to the multilayered experience of women in the modern era, with unguarded honesty and the self-awareness and humour that’s been a trademark of her work since she founded The Regrettes at age 15. “Some of these songs make me want to cry, other songs make me want to dance; overall they fill whatever space I need them to.” says Night.   Over the course of its 13 tracks, Parody of Pleasure reveals the multitudes contained within Night, from subversive humor to raw sensitivity to fearless self-possession

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Lydia Night releases her debut solo album, Parody of Pleasure, an unabashed and uninhibited embrace of the pop genre that was so formative to Night. “As a kid I was obsessed with punk because of my dad, but when I got older my mom introduced me to the pop music that stuck with me forever and inspired a lot of this record, like Gwen Stefani and Madonna and Britney Spears,”   Night’s songwriting gives language to the multilayered experience of women in the modern era, with unguarded honesty and the self-awareness and humour that’s been a trademark of her work since she founded The Regrettes at age 15. “Some of these songs make me want to cry, other songs make me want to dance; overall they fill whatever space I need them to.” says Night.   Over the course of its 13 tracks, Parody of Pleasure reveals the multitudes contained within Night, from subversive humor to raw sensitivity to fearless self-possession