πŸŽ‰ Up to 70% Off Selected ItemsShop Sale
Now That's What I Call an Era: The Albums 1980 - 1984
HomeStore

Now That's What I Call an Era: The Albums 1980 - 1984

Now That's What I Call an Era: The Albums 1980 - 1984

Now Music presents the second of their β€˜Now That’s What I Call An Era’ releases. The album 1980 > 1984 celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular – but these albums are of such high quality – forever part of the artist’s legacy - that other tracks could have equally become hits – and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows.

This 4CD set opens with a trio of tracks from stunning debuts: β€˜A Ray Of Sunshine’ from β€˜Fantastic’, the 1983 debut album from Wham, β€˜Lemon Firebrigade’ from Haircut 100’s β€˜Pelican West’, and the sumptuous β€˜Show Me’, the opening track from β€˜The Lexicon Of Love’ from ABC. Huge 1983 albums are up next from Culture Club, with β€˜Black Money’ from β€˜Colour By Numbers’, and β€˜This City Never Sleeps’ the closing track on β€˜Sweet Dreams (Are Made Of This)’ from Eurythmics.

Another epic closer from Alison Moyet with β€˜Where Hides Sleep’ from her solo debut β€˜Alf’ is followed by β€˜Frankie’s First Affair’ from another 1984 debut, β€˜Diamond Life’ from Sade. Roxy Music’s 1982 β€˜Avalon’ included β€˜The Space Between’, whilst Japan with β€˜Talking Drum’ from β€˜Tin Drum’ leads a stellar run of iconic albums from Duran Duran, Spandau Ballet, Heaven 17, Ultravox and The Human League with β€˜The Things That Dreams Are Made Of’ from 1981’s hit-packed β€˜Dare’.

The first disc closes with Donna Summer from her Quincy Jones produced 1982 eponymous album, Tina Turner with the opening track from her landmark 1984 release β€˜Private Dancer’ and Bruce Springsteen from his 1980 double classic β€˜The River’, while the final track β€˜Mystery Achievement’ was the final track on the Pretenders debut β€˜Pretenders’ released just two weeks into 1980 – and sounding as fresh today as it did over 45 years ago.

Wham! are back opening CD2 with β€˜Heartbeat’ from 1984’s β€˜Make It Big’ – an album that housed multiple #1 singles. Soft Cell is featured next with β€˜Secret Life’ from their remarkable debut β€˜Non- Stop Erotic Cabaret’, and a track that would be a #1 10 years later as a cover version, β€˜Young At Heart’, is featured from Bananarama’s 1983 debut β€˜Deep Sea Skiving’.

A run of superb synth pop including Nik Kershaw, Howard Jones and Bronski Beat follows, before a couple of r&b influenced tracks from Shalamar, from their hit-filled β€˜Friends’ album and Imagination from β€˜In The Heat Of The Night’.

New-wave pop from Toyah, Kim Wilde and Culture Club come ahead of a couple of great covers: - β€˜Are You There With Another Girl?’ from Mari Wilson, and Carmel’s take on β€˜Tracks of My Tears’ from 1984’s β€˜The Drum Is Everything’.

Next up a masterful jazz-influenced collaboration between The Style Council & Tracey Thorn, ahead of the title track from Paul Simon’s β€˜Hearts And Bones’, and a beautiful ballad β€˜Turn Out The Light’ from Joan Armatrading’s 1980 β€˜Me Myself I’ – all leading to the closing song, the title track from Paul Young’s 1983 #1 β€˜No Parlez’.

CD3 opens with a stellar lineup of the era’s most sophisticated pop. Leading off with the timeless β€˜The Chauffeur’ from Duran Duran’s enormous second album β€˜Rio’, before β€˜Taking Islands In Africa’ a stand-out from Japan’s β€˜Gentlemen Take Polaroids’.

Tears For Fears made their album debut in 1983 and the title track from β€˜The Hurting’ is featured along with a great pop moment, β€˜Black Night White Light’ from Frankie Goes To Hollywood’s 1984 debut β€˜Welcome To The Pleasuredome’.

Orchestral Manoeuvres In The Dark are up next alongside Laurie Anderson from β€˜Big Science’, The Cure from β€˜Seventeen Seconds

Select Formats
From $7.20

Original: $23.99

-70%
Now That's What I Call an Era: The Albums 1980 - 1984β€”

$23.99

$7.20

More Images

Now That's What I Call an Era: The Albums 1980 - 1984 - Image 2
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 3
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 4
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 5
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 6
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 7
Now That's What I Call an Era: The Albums 1980 - 1984 - Image 8

Now That's What I Call an Era: The Albums 1980 - 1984

Now Music presents the second of their β€˜Now That’s What I Call An Era’ releases. The album 1980 > 1984 celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular – but these albums are of such high quality – forever part of the artist’s legacy - that other tracks could have equally become hits – and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows.

This 4CD set opens with a trio of tracks from stunning debuts: β€˜A Ray Of Sunshine’ from β€˜Fantastic’, the 1983 debut album from Wham, β€˜Lemon Firebrigade’ from Haircut 100’s β€˜Pelican West’, and the sumptuous β€˜Show Me’, the opening track from β€˜The Lexicon Of Love’ from ABC. Huge 1983 albums are up next from Culture Club, with β€˜Black Money’ from β€˜Colour By Numbers’, and β€˜This City Never Sleeps’ the closing track on β€˜Sweet Dreams (Are Made Of This)’ from Eurythmics.

Another epic closer from Alison Moyet with β€˜Where Hides Sleep’ from her solo debut β€˜Alf’ is followed by β€˜Frankie’s First Affair’ from another 1984 debut, β€˜Diamond Life’ from Sade. Roxy Music’s 1982 β€˜Avalon’ included β€˜The Space Between’, whilst Japan with β€˜Talking Drum’ from β€˜Tin Drum’ leads a stellar run of iconic albums from Duran Duran, Spandau Ballet, Heaven 17, Ultravox and The Human League with β€˜The Things That Dreams Are Made Of’ from 1981’s hit-packed β€˜Dare’.

The first disc closes with Donna Summer from her Quincy Jones produced 1982 eponymous album, Tina Turner with the opening track from her landmark 1984 release β€˜Private Dancer’ and Bruce Springsteen from his 1980 double classic β€˜The River’, while the final track β€˜Mystery Achievement’ was the final track on the Pretenders debut β€˜Pretenders’ released just two weeks into 1980 – and sounding as fresh today as it did over 45 years ago.

Wham! are back opening CD2 with β€˜Heartbeat’ from 1984’s β€˜Make It Big’ – an album that housed multiple #1 singles. Soft Cell is featured next with β€˜Secret Life’ from their remarkable debut β€˜Non- Stop Erotic Cabaret’, and a track that would be a #1 10 years later as a cover version, β€˜Young At Heart’, is featured from Bananarama’s 1983 debut β€˜Deep Sea Skiving’.

A run of superb synth pop including Nik Kershaw, Howard Jones and Bronski Beat follows, before a couple of r&b influenced tracks from Shalamar, from their hit-filled β€˜Friends’ album and Imagination from β€˜In The Heat Of The Night’.

New-wave pop from Toyah, Kim Wilde and Culture Club come ahead of a couple of great covers: - β€˜Are You There With Another Girl?’ from Mari Wilson, and Carmel’s take on β€˜Tracks of My Tears’ from 1984’s β€˜The Drum Is Everything’.

Next up a masterful jazz-influenced collaboration between The Style Council & Tracey Thorn, ahead of the title track from Paul Simon’s β€˜Hearts And Bones’, and a beautiful ballad β€˜Turn Out The Light’ from Joan Armatrading’s 1980 β€˜Me Myself I’ – all leading to the closing song, the title track from Paul Young’s 1983 #1 β€˜No Parlez’.

CD3 opens with a stellar lineup of the era’s most sophisticated pop. Leading off with the timeless β€˜The Chauffeur’ from Duran Duran’s enormous second album β€˜Rio’, before β€˜Taking Islands In Africa’ a stand-out from Japan’s β€˜Gentlemen Take Polaroids’.

Tears For Fears made their album debut in 1983 and the title track from β€˜The Hurting’ is featured along with a great pop moment, β€˜Black Night White Light’ from Frankie Goes To Hollywood’s 1984 debut β€˜Welcome To The Pleasuredome’.

Orchestral Manoeuvres In The Dark are up next alongside Laurie Anderson from β€˜Big Science’, The Cure from β€˜Seventeen Seconds

Product Information

Shipping & Returns

Description

Now Music presents the second of their β€˜Now That’s What I Call An Era’ releases. The album 1980 > 1984 celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular – but these albums are of such high quality – forever part of the artist’s legacy - that other tracks could have equally become hits – and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows.

This 4CD set opens with a trio of tracks from stunning debuts: β€˜A Ray Of Sunshine’ from β€˜Fantastic’, the 1983 debut album from Wham, β€˜Lemon Firebrigade’ from Haircut 100’s β€˜Pelican West’, and the sumptuous β€˜Show Me’, the opening track from β€˜The Lexicon Of Love’ from ABC. Huge 1983 albums are up next from Culture Club, with β€˜Black Money’ from β€˜Colour By Numbers’, and β€˜This City Never Sleeps’ the closing track on β€˜Sweet Dreams (Are Made Of This)’ from Eurythmics.

Another epic closer from Alison Moyet with β€˜Where Hides Sleep’ from her solo debut β€˜Alf’ is followed by β€˜Frankie’s First Affair’ from another 1984 debut, β€˜Diamond Life’ from Sade. Roxy Music’s 1982 β€˜Avalon’ included β€˜The Space Between’, whilst Japan with β€˜Talking Drum’ from β€˜Tin Drum’ leads a stellar run of iconic albums from Duran Duran, Spandau Ballet, Heaven 17, Ultravox and The Human League with β€˜The Things That Dreams Are Made Of’ from 1981’s hit-packed β€˜Dare’.

The first disc closes with Donna Summer from her Quincy Jones produced 1982 eponymous album, Tina Turner with the opening track from her landmark 1984 release β€˜Private Dancer’ and Bruce Springsteen from his 1980 double classic β€˜The River’, while the final track β€˜Mystery Achievement’ was the final track on the Pretenders debut β€˜Pretenders’ released just two weeks into 1980 – and sounding as fresh today as it did over 45 years ago.

Wham! are back opening CD2 with β€˜Heartbeat’ from 1984’s β€˜Make It Big’ – an album that housed multiple #1 singles. Soft Cell is featured next with β€˜Secret Life’ from their remarkable debut β€˜Non- Stop Erotic Cabaret’, and a track that would be a #1 10 years later as a cover version, β€˜Young At Heart’, is featured from Bananarama’s 1983 debut β€˜Deep Sea Skiving’.

A run of superb synth pop including Nik Kershaw, Howard Jones and Bronski Beat follows, before a couple of r&b influenced tracks from Shalamar, from their hit-filled β€˜Friends’ album and Imagination from β€˜In The Heat Of The Night’.

New-wave pop from Toyah, Kim Wilde and Culture Club come ahead of a couple of great covers: - β€˜Are You There With Another Girl?’ from Mari Wilson, and Carmel’s take on β€˜Tracks of My Tears’ from 1984’s β€˜The Drum Is Everything’.

Next up a masterful jazz-influenced collaboration between The Style Council & Tracey Thorn, ahead of the title track from Paul Simon’s β€˜Hearts And Bones’, and a beautiful ballad β€˜Turn Out The Light’ from Joan Armatrading’s 1980 β€˜Me Myself I’ – all leading to the closing song, the title track from Paul Young’s 1983 #1 β€˜No Parlez’.

CD3 opens with a stellar lineup of the era’s most sophisticated pop. Leading off with the timeless β€˜The Chauffeur’ from Duran Duran’s enormous second album β€˜Rio’, before β€˜Taking Islands In Africa’ a stand-out from Japan’s β€˜Gentlemen Take Polaroids’.

Tears For Fears made their album debut in 1983 and the title track from β€˜The Hurting’ is featured along with a great pop moment, β€˜Black Night White Light’ from Frankie Goes To Hollywood’s 1984 debut β€˜Welcome To The Pleasuredome’.

Orchestral Manoeuvres In The Dark are up next alongside Laurie Anderson from β€˜Big Science’, The Cure from β€˜Seventeen Seconds