
No Doves Fly Here
Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; The Snipersâ â Three Peace Suiteâ and The Mobsâ âNo Doves Fly Hereâ.
Recorded over two intense days in September 1981 at Southern Studios, No Doves Fly Here by The Mob stands as a raw, unorthodox moment in anarcho-punk history. Produced by Penny Rimbaud and engineered alongside John Loder, the session saw Crass members and others pitch in â brewing endless pots of strong tea and occasionally manning a four-foot gong hired specially for the track. Mark, frontman of The Mob, recalls recording vocals word-by-word, a painstaking shift from the live takes of their previous releases. The result: a hauntingly deliberate performance unlike anything else on the Crass label. Paired with I Hear You Laughing, a live favorite, the single is a testament to the spirit of experimentation, DIY collaboration, and creative trust that defined the era.
Penny Rimbaud tells us; âMirroring John and Yokoâs âpeace not warâ profundities, The Mobâs âNo Doves Fly Hereâ stands out as one of the great classic tracks of the punk era. Profound in its poetics, and poignantly atmospheric in its arrangement, it expresses so much of the hopes and aspirations that later became known as âanarcho-punkâ (hitherto the âpeace movementâ). âWar is over if you want itâ, the dream is not over.â
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.â
In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crassâ classic line, âThere is no authority but yourselfâ, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while â2 By 2 And Back Againâ seems to nail it â âget out of your own way, weâre all in this togetherâ.
No Doves Fly Here
Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; The Snipersâ â Three Peace Suiteâ and The Mobsâ âNo Doves Fly Hereâ.
Recorded over two intense days in September 1981 at Southern Studios, No Doves Fly Here by The Mob stands as a raw, unorthodox moment in anarcho-punk history. Produced by Penny Rimbaud and engineered alongside John Loder, the session saw Crass members and others pitch in â brewing endless pots of strong tea and occasionally manning a four-foot gong hired specially for the track. Mark, frontman of The Mob, recalls recording vocals word-by-word, a painstaking shift from the live takes of their previous releases. The result: a hauntingly deliberate performance unlike anything else on the Crass label. Paired with I Hear You Laughing, a live favorite, the single is a testament to the spirit of experimentation, DIY collaboration, and creative trust that defined the era.
Penny Rimbaud tells us; âMirroring John and Yokoâs âpeace not warâ profundities, The Mobâs âNo Doves Fly Hereâ stands out as one of the great classic tracks of the punk era. Profound in its poetics, and poignantly atmospheric in its arrangement, it expresses so much of the hopes and aspirations that later became known as âanarcho-punkâ (hitherto the âpeace movementâ). âWar is over if you want itâ, the dream is not over.â
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.â
In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crassâ classic line, âThere is no authority but yourselfâ, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while â2 By 2 And Back Againâ seems to nail it â âget out of your own way, weâre all in this togetherâ.
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Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; The Snipersâ â Three Peace Suiteâ and The Mobsâ âNo Doves Fly Hereâ.
Recorded over two intense days in September 1981 at Southern Studios, No Doves Fly Here by The Mob stands as a raw, unorthodox moment in anarcho-punk history. Produced by Penny Rimbaud and engineered alongside John Loder, the session saw Crass members and others pitch in â brewing endless pots of strong tea and occasionally manning a four-foot gong hired specially for the track. Mark, frontman of The Mob, recalls recording vocals word-by-word, a painstaking shift from the live takes of their previous releases. The result: a hauntingly deliberate performance unlike anything else on the Crass label. Paired with I Hear You Laughing, a live favorite, the single is a testament to the spirit of experimentation, DIY collaboration, and creative trust that defined the era.
Penny Rimbaud tells us; âMirroring John and Yokoâs âpeace not warâ profundities, The Mobâs âNo Doves Fly Hereâ stands out as one of the great classic tracks of the punk era. Profound in its poetics, and poignantly atmospheric in its arrangement, it expresses so much of the hopes and aspirations that later became known as âanarcho-punkâ (hitherto the âpeace movementâ). âWar is over if you want itâ, the dream is not over.â
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.â
In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crassâ classic line, âThere is no authority but yourselfâ, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while â2 By 2 And Back Againâ seems to nail it â âget out of your own way, weâre all in this togetherâ.











