No
Langkamer’s fourth album No is a vision unclouded. Recorded in the hills of Southern Spain at Zarzalico with veteran producer Remko Schouten, it's the product of a pace of life too frenetic to count, too irregular to measure. If their back catalogue has often veered between heart-on-sleeve slacker rock to folk balladry, No captures this life of contradictions, kicks and struggle. It moves without a care between heavy proto-punk and nervy alt-country, as the band give their desperation and defiance a new urgency, a motion against the constantly beating sun.
No
Langkamer’s fourth album No is a vision unclouded. Recorded in the hills of Southern Spain at Zarzalico with veteran producer Remko Schouten, it's the product of a pace of life too frenetic to count, too irregular to measure. If their back catalogue has often veered between heart-on-sleeve slacker rock to folk balladry, No captures this life of contradictions, kicks and struggle. It moves without a care between heavy proto-punk and nervy alt-country, as the band give their desperation and defiance a new urgency, a motion against the constantly beating sun.
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Langkamer’s fourth album No is a vision unclouded. Recorded in the hills of Southern Spain at Zarzalico with veteran producer Remko Schouten, it's the product of a pace of life too frenetic to count, too irregular to measure. If their back catalogue has often veered between heart-on-sleeve slacker rock to folk balladry, No captures this life of contradictions, kicks and struggle. It moves without a care between heavy proto-punk and nervy alt-country, as the band give their desperation and defiance a new urgency, a motion against the constantly beating sun.
