
Mouth By Mouth
His Name Is Aliveâs third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry. The projectâs soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the recordâs sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (âLord, Make Me A Channel of Your Peaceâ, âThe Homesick Waltzâ), sugar-sweet 1960s pop (âBaby Fish Mouthâ, âLipâ), distortion-laden dream-gaze (âCanât Go Wrong Without Youâ), evocative alt-noise (âSickâ), or strummy folk (âWhere Knock Is Open Wideâ). Embracing the surreal and turning their experimentalism up a notch and with Defeverâs studio skills truly blossoming, many see this as a high point for the band.
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Mouth By Mouth
His Name Is Aliveâs third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry. The projectâs soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the recordâs sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (âLord, Make Me A Channel of Your Peaceâ, âThe Homesick Waltzâ), sugar-sweet 1960s pop (âBaby Fish Mouthâ, âLipâ), distortion-laden dream-gaze (âCanât Go Wrong Without Youâ), evocative alt-noise (âSickâ), or strummy folk (âWhere Knock Is Open Wideâ). Embracing the surreal and turning their experimentalism up a notch and with Defeverâs studio skills truly blossoming, many see this as a high point for the band.
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His Name Is Aliveâs third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry. The projectâs soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the recordâs sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (âLord, Make Me A Channel of Your Peaceâ, âThe Homesick Waltzâ), sugar-sweet 1960s pop (âBaby Fish Mouthâ, âLipâ), distortion-laden dream-gaze (âCanât Go Wrong Without Youâ), evocative alt-noise (âSickâ), or strummy folk (âWhere Knock Is Open Wideâ). Embracing the surreal and turning their experimentalism up a notch and with Defeverâs studio skills truly blossoming, many see this as a high point for the band.











