
Make It On Out / Holding On
This exciting 45, features two previously unheard 60s, New York soul, dance tracks.Â
Big Apple session singer and occasional composer, Doris Willingham, first had a rare release on the Hi-Monty label in 1966 and then in 1968 cut four sides for drummer Bernard âPrettyâ Purdie. All were produced by Richard Tee and co-written with Doris. They were licensed to Ed Kassner who launched his Jay Boy label with âYou Canât Do Thatâ in both the UK and the USA. A change of strategy caused the US label to be discontinued after two releases and the UK then switched primarily to home-produced recordings. The two best Willingham sides lay dormant at Presidentâs tape library until Ace released the killer ballad âToo Much To Bearâ in 2005. The fourth track is this superb dance number featuring the great Purdie band, no doubt featuring his usual bassist Jimmy Tyrell, who arranged the Hi-Monty 45.Â
The Taylor Brothers âHolding Onâ is a much grittier affair, produced by Maxine Brownâs husband at the time, Mal Williams. The duo were Bennie âEarlâ Bunn and Sam âThe Manâ Taylor and they wrote this, the third track recorded at the session that produced the âPeople In Loveâ single on Joy. Sam had been a major mover in NYC black music circles since the 50s with his own bands and had fingers in many pies. The duo gave a performance worthy of some of the great 60s male soul couplings.
Original: $19.99
-70%$19.99
$6.00Make It On Out / Holding On
This exciting 45, features two previously unheard 60s, New York soul, dance tracks.Â
Big Apple session singer and occasional composer, Doris Willingham, first had a rare release on the Hi-Monty label in 1966 and then in 1968 cut four sides for drummer Bernard âPrettyâ Purdie. All were produced by Richard Tee and co-written with Doris. They were licensed to Ed Kassner who launched his Jay Boy label with âYou Canât Do Thatâ in both the UK and the USA. A change of strategy caused the US label to be discontinued after two releases and the UK then switched primarily to home-produced recordings. The two best Willingham sides lay dormant at Presidentâs tape library until Ace released the killer ballad âToo Much To Bearâ in 2005. The fourth track is this superb dance number featuring the great Purdie band, no doubt featuring his usual bassist Jimmy Tyrell, who arranged the Hi-Monty 45.Â
The Taylor Brothers âHolding Onâ is a much grittier affair, produced by Maxine Brownâs husband at the time, Mal Williams. The duo were Bennie âEarlâ Bunn and Sam âThe Manâ Taylor and they wrote this, the third track recorded at the session that produced the âPeople In Loveâ single on Joy. Sam had been a major mover in NYC black music circles since the 50s with his own bands and had fingers in many pies. The duo gave a performance worthy of some of the great 60s male soul couplings.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
This exciting 45, features two previously unheard 60s, New York soul, dance tracks.Â
Big Apple session singer and occasional composer, Doris Willingham, first had a rare release on the Hi-Monty label in 1966 and then in 1968 cut four sides for drummer Bernard âPrettyâ Purdie. All were produced by Richard Tee and co-written with Doris. They were licensed to Ed Kassner who launched his Jay Boy label with âYou Canât Do Thatâ in both the UK and the USA. A change of strategy caused the US label to be discontinued after two releases and the UK then switched primarily to home-produced recordings. The two best Willingham sides lay dormant at Presidentâs tape library until Ace released the killer ballad âToo Much To Bearâ in 2005. The fourth track is this superb dance number featuring the great Purdie band, no doubt featuring his usual bassist Jimmy Tyrell, who arranged the Hi-Monty 45.Â
The Taylor Brothers âHolding Onâ is a much grittier affair, produced by Maxine Brownâs husband at the time, Mal Williams. The duo were Bennie âEarlâ Bunn and Sam âThe Manâ Taylor and they wrote this, the third track recorded at the session that produced the âPeople In Loveâ single on Joy. Sam had been a major mover in NYC black music circles since the 50s with his own bands and had fingers in many pies. The duo gave a performance worthy of some of the great 60s male soul couplings.











