Magische Töne
With Magische Töne, Jonas Kaufmann returns to the world of operetta and late‑Romantic opera, presenting a collection of some of the genre’s most beautiful and beloved melodies. Recorded in Budapest with the Hungarian State Opera Orchestra under the baton of Dirk Kaftan, the album celebrates the rich musical heritage of the Austro‑Hungarian Empire (1867–1918).
The new recording brings together perennial favourites by Emmerich Kálmán, Franz Lehár, and Paul Abraham, alongside lesser‑known treasures such as Bob’s entrance aria from Jenő Huszka’s (Bob Herceg). Several duets enrich the programme further, including the sparkling “Komm mit nach Varasdin” from Gräfin Mariza, performed with soprano Nikola Hillebrand, one of today’s most sought‑after voices.
Among the collection’s highlights are the two opera arias “Hazám, hazám” from Ferenc Erkel’s Bánk bán and the album’s title track, “Magische Töne” from Karl Goldmark’s Die Königin von Saba. These works demonstrate Kaufmann’s versatility across contrasting styles and vocal demands, resulting in a glowing tribute to a cosmopolitan era of European music
.
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Magische Töne
With Magische Töne, Jonas Kaufmann returns to the world of operetta and late‑Romantic opera, presenting a collection of some of the genre’s most beautiful and beloved melodies. Recorded in Budapest with the Hungarian State Opera Orchestra under the baton of Dirk Kaftan, the album celebrates the rich musical heritage of the Austro‑Hungarian Empire (1867–1918).
The new recording brings together perennial favourites by Emmerich Kálmán, Franz Lehár, and Paul Abraham, alongside lesser‑known treasures such as Bob’s entrance aria from Jenő Huszka’s (Bob Herceg). Several duets enrich the programme further, including the sparkling “Komm mit nach Varasdin” from Gräfin Mariza, performed with soprano Nikola Hillebrand, one of today’s most sought‑after voices.
Among the collection’s highlights are the two opera arias “Hazám, hazám” from Ferenc Erkel’s Bánk bán and the album’s title track, “Magische Töne” from Karl Goldmark’s Die Königin von Saba. These works demonstrate Kaufmann’s versatility across contrasting styles and vocal demands, resulting in a glowing tribute to a cosmopolitan era of European music
.
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With Magische Töne, Jonas Kaufmann returns to the world of operetta and late‑Romantic opera, presenting a collection of some of the genre’s most beautiful and beloved melodies. Recorded in Budapest with the Hungarian State Opera Orchestra under the baton of Dirk Kaftan, the album celebrates the rich musical heritage of the Austro‑Hungarian Empire (1867–1918).
The new recording brings together perennial favourites by Emmerich Kálmán, Franz Lehár, and Paul Abraham, alongside lesser‑known treasures such as Bob’s entrance aria from Jenő Huszka’s (Bob Herceg). Several duets enrich the programme further, including the sparkling “Komm mit nach Varasdin” from Gräfin Mariza, performed with soprano Nikola Hillebrand, one of today’s most sought‑after voices.
Among the collection’s highlights are the two opera arias “Hazám, hazám” from Ferenc Erkel’s Bánk bán and the album’s title track, “Magische Töne” from Karl Goldmark’s Die Königin von Saba. These works demonstrate Kaufmann’s versatility across contrasting styles and vocal demands, resulting in a glowing tribute to a cosmopolitan era of European music
.
