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La Proprieta Non E Piu Un Furto
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La Proprieta Non E Piu Un Furto

La Proprieta Non E Piu Un Furto

Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a remastered reissue of the ultimate edition
of Ennio Morricone’s score for Elio Petri’s 1973 social drama-comedy LA PROPRIETƀ NON E’PIƙ UN FURTO (aka PROPERTY IS
NO LONGER A THEFT), a grotesque satire about a neurotic Marxist bank teller who quits his job and sets his sights on stealing
everything—from tools to a mistress—from one of his former clients, a successful butcher. Starring Ugo Tognazzi, Flavio Bucci and
Daria Nicolodi, this film is the last chapter in Petri’s famous trilogy of the Neurosis, after INDAGINE SU UN CITTADINO AL DI SOPRA DI
OGNI SOSPETTO and LA CLASSE OPERIA VA IN PARADISO.
Ennio Morricone returns to the timbral and electronic exploration carried out in the two previous films, replicating the noises of the
modern, oppressive and futuristic city. He also employs a grotesque march to accompany the actions that the institutions of the
law pursue: theft, kidnapping, fraud. However, the music departs from those earlier scores not only because of the formal language
employed, dominated by the use of voices and avant-garde compositional techniques, but also because of an openly painful tone, of
the slowed-down disbelief in decadence.
In 1973, RCA released the score on LP in Italy; they reissued it on CD in the 1990s. In 2009, GDM released an expanded edition
containing virtually the entire score recorded by Morricone but that has long been out of print. This is a reissue of that release, freshly
remastered by Chris Malone from the original master tapes and supervised by Claudio Fuiano. The package includes an essay by
Miguel Ángel Ordóñez discussing the film and the score.

$12.00

Original: $40.00

-70%
La Proprieta Non E Piu Un Furto—

$40.00

$12.00

La Proprieta Non E Piu Un Furto

Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a remastered reissue of the ultimate edition
of Ennio Morricone’s score for Elio Petri’s 1973 social drama-comedy LA PROPRIETƀ NON E’PIƙ UN FURTO (aka PROPERTY IS
NO LONGER A THEFT), a grotesque satire about a neurotic Marxist bank teller who quits his job and sets his sights on stealing
everything—from tools to a mistress—from one of his former clients, a successful butcher. Starring Ugo Tognazzi, Flavio Bucci and
Daria Nicolodi, this film is the last chapter in Petri’s famous trilogy of the Neurosis, after INDAGINE SU UN CITTADINO AL DI SOPRA DI
OGNI SOSPETTO and LA CLASSE OPERIA VA IN PARADISO.
Ennio Morricone returns to the timbral and electronic exploration carried out in the two previous films, replicating the noises of the
modern, oppressive and futuristic city. He also employs a grotesque march to accompany the actions that the institutions of the
law pursue: theft, kidnapping, fraud. However, the music departs from those earlier scores not only because of the formal language
employed, dominated by the use of voices and avant-garde compositional techniques, but also because of an openly painful tone, of
the slowed-down disbelief in decadence.
In 1973, RCA released the score on LP in Italy; they reissued it on CD in the 1990s. In 2009, GDM released an expanded edition
containing virtually the entire score recorded by Morricone but that has long been out of print. This is a reissue of that release, freshly
remastered by Chris Malone from the original master tapes and supervised by Claudio Fuiano. The package includes an essay by
Miguel Ángel Ordóñez discussing the film and the score.

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Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a remastered reissue of the ultimate edition
of Ennio Morricone’s score for Elio Petri’s 1973 social drama-comedy LA PROPRIETƀ NON E’PIƙ UN FURTO (aka PROPERTY IS
NO LONGER A THEFT), a grotesque satire about a neurotic Marxist bank teller who quits his job and sets his sights on stealing
everything—from tools to a mistress—from one of his former clients, a successful butcher. Starring Ugo Tognazzi, Flavio Bucci and
Daria Nicolodi, this film is the last chapter in Petri’s famous trilogy of the Neurosis, after INDAGINE SU UN CITTADINO AL DI SOPRA DI
OGNI SOSPETTO and LA CLASSE OPERIA VA IN PARADISO.
Ennio Morricone returns to the timbral and electronic exploration carried out in the two previous films, replicating the noises of the
modern, oppressive and futuristic city. He also employs a grotesque march to accompany the actions that the institutions of the
law pursue: theft, kidnapping, fraud. However, the music departs from those earlier scores not only because of the formal language
employed, dominated by the use of voices and avant-garde compositional techniques, but also because of an openly painful tone, of
the slowed-down disbelief in decadence.
In 1973, RCA released the score on LP in Italy; they reissued it on CD in the 1990s. In 2009, GDM released an expanded edition
containing virtually the entire score recorded by Morricone but that has long been out of print. This is a reissue of that release, freshly
remastered by Chris Malone from the original master tapes and supervised by Claudio Fuiano. The package includes an essay by
Miguel Ángel Ordóñez discussing the film and the score.

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