Kill The Robot
As a creative, Stephen Gibb has everything and nothing to prove at the same time. After all, there aren’t many musicians who can claim to have played shows with Slayer, Anthrax, and a Bee Gee within a 24-hour period.
But right now, having spent the best part of three decades playing music, Stephen’s new band Kill The Robot has landed to truly showcase his own songwriting talents. Kill The Robot’s debut self-titled album is an eclectic and yet decisively cohesive piece of work. Produced by multi-Grammy-award winning Warren Riker (Down, The Fugees, Lauryn Hill, Santana), it takes the listener on a journey that incorporates massive stadium rock anthems akin to the Foo Fighters, QOTSA, and Muse, the prog of Pink Floyd and Steven Wilson, hints of Killing Joke darkness, and adds a hefty dose of 80s UK pop and electronica – à la Thomas Dolby, Howard Jones, Tears For Fears, and even mid-career Adam Ant.
Kill The Robot
As a creative, Stephen Gibb has everything and nothing to prove at the same time. After all, there aren’t many musicians who can claim to have played shows with Slayer, Anthrax, and a Bee Gee within a 24-hour period.
But right now, having spent the best part of three decades playing music, Stephen’s new band Kill The Robot has landed to truly showcase his own songwriting talents. Kill The Robot’s debut self-titled album is an eclectic and yet decisively cohesive piece of work. Produced by multi-Grammy-award winning Warren Riker (Down, The Fugees, Lauryn Hill, Santana), it takes the listener on a journey that incorporates massive stadium rock anthems akin to the Foo Fighters, QOTSA, and Muse, the prog of Pink Floyd and Steven Wilson, hints of Killing Joke darkness, and adds a hefty dose of 80s UK pop and electronica – à la Thomas Dolby, Howard Jones, Tears For Fears, and even mid-career Adam Ant.
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As a creative, Stephen Gibb has everything and nothing to prove at the same time. After all, there aren’t many musicians who can claim to have played shows with Slayer, Anthrax, and a Bee Gee within a 24-hour period.
But right now, having spent the best part of three decades playing music, Stephen’s new band Kill The Robot has landed to truly showcase his own songwriting talents. Kill The Robot’s debut self-titled album is an eclectic and yet decisively cohesive piece of work. Produced by multi-Grammy-award winning Warren Riker (Down, The Fugees, Lauryn Hill, Santana), it takes the listener on a journey that incorporates massive stadium rock anthems akin to the Foo Fighters, QOTSA, and Muse, the prog of Pink Floyd and Steven Wilson, hints of Killing Joke darkness, and adds a hefty dose of 80s UK pop and electronica – à la Thomas Dolby, Howard Jones, Tears For Fears, and even mid-career Adam Ant.
