Jiddu
Dean Blunt / Early Hype Williams esque trip-hop from Rue des Garderies. B Side is an etch by French artist Rebecca Bournigault.
Following their eponymous debut album and the vertiginous Everest, Rue des Garderies continue their semi-narcotic explorations with Jiddu.
Around a stretched, distorted sample, a 16-minute improvisation recorded on a summer's night, interacting with their immediate environment: truncated discussions, laughter, noises of joy, silences, love...
The whole piece seems to exist in an unknown zone of our psyche - a zone that was unknown until then, but which was obvious at the time: an automatic writing done in total freedom, reminiscent of trip-hop and abstract electronic from the 90s.
Was it a dream?
Original: $29.33
-70%$29.33
$8.80Jiddu
Dean Blunt / Early Hype Williams esque trip-hop from Rue des Garderies. B Side is an etch by French artist Rebecca Bournigault.
Following their eponymous debut album and the vertiginous Everest, Rue des Garderies continue their semi-narcotic explorations with Jiddu.
Around a stretched, distorted sample, a 16-minute improvisation recorded on a summer's night, interacting with their immediate environment: truncated discussions, laughter, noises of joy, silences, love...
The whole piece seems to exist in an unknown zone of our psyche - a zone that was unknown until then, but which was obvious at the time: an automatic writing done in total freedom, reminiscent of trip-hop and abstract electronic from the 90s.
Was it a dream?
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Dean Blunt / Early Hype Williams esque trip-hop from Rue des Garderies. B Side is an etch by French artist Rebecca Bournigault.
Following their eponymous debut album and the vertiginous Everest, Rue des Garderies continue their semi-narcotic explorations with Jiddu.
Around a stretched, distorted sample, a 16-minute improvisation recorded on a summer's night, interacting with their immediate environment: truncated discussions, laughter, noises of joy, silences, love...
The whole piece seems to exist in an unknown zone of our psyche - a zone that was unknown until then, but which was obvious at the time: an automatic writing done in total freedom, reminiscent of trip-hop and abstract electronic from the 90s.
Was it a dream?
