
Inside the Wreckage
23-track double CD package from cult UK thrashers D.A.M., featuring both of the bandsâ albums, originally released via Noise Records.
CD 1 features their 1989 debut studio album Human Wreckage while CD 2 features the well regarded follow up from 1991, Inside Out.
Formed in the mid 80s in Morecambe, Lancashire, D.A.M. (an abbreviated version of Destruction and Mayhem) were signed to German label Noise Records after impressing with their 1988 demo âHuman Wreckageâ.
Managed by Paul Loasby, the man responsible for the first ever Donington âMonsters of Rockâ festival, the band gigged heavily around the UK and eventually recorded their debut album at the famed Music Lab Studios in Hannover, Germany, with renowned producer Harris Johns (Helloween, Kreator, Voivod)
The debut record was enough to see them touted as one of the major hopefuls of the then burgeoning UK thrash scene, alongside the likes of Sabbat, Onslaught and Xentrix. Their 1989 Hammersmith Odeon performance as part of a bill that included Dark Angel and Candlemass was filmed for the evental â3-Way Thrashâ video release.
A second album followed in 1991, the excellent Inside Out, showcasing a more varied and finely tuned sound.
Unfortunately, thrash metal was on the wane, especially as the UK scene had failed to produce an international breakthrough act, and D.A.M. split soon after the release.
Original: $26.66
-70%$26.66
$8.00Inside the Wreckage
23-track double CD package from cult UK thrashers D.A.M., featuring both of the bandsâ albums, originally released via Noise Records.
CD 1 features their 1989 debut studio album Human Wreckage while CD 2 features the well regarded follow up from 1991, Inside Out.
Formed in the mid 80s in Morecambe, Lancashire, D.A.M. (an abbreviated version of Destruction and Mayhem) were signed to German label Noise Records after impressing with their 1988 demo âHuman Wreckageâ.
Managed by Paul Loasby, the man responsible for the first ever Donington âMonsters of Rockâ festival, the band gigged heavily around the UK and eventually recorded their debut album at the famed Music Lab Studios in Hannover, Germany, with renowned producer Harris Johns (Helloween, Kreator, Voivod)
The debut record was enough to see them touted as one of the major hopefuls of the then burgeoning UK thrash scene, alongside the likes of Sabbat, Onslaught and Xentrix. Their 1989 Hammersmith Odeon performance as part of a bill that included Dark Angel and Candlemass was filmed for the evental â3-Way Thrashâ video release.
A second album followed in 1991, the excellent Inside Out, showcasing a more varied and finely tuned sound.
Unfortunately, thrash metal was on the wane, especially as the UK scene had failed to produce an international breakthrough act, and D.A.M. split soon after the release.
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Description
23-track double CD package from cult UK thrashers D.A.M., featuring both of the bandsâ albums, originally released via Noise Records.
CD 1 features their 1989 debut studio album Human Wreckage while CD 2 features the well regarded follow up from 1991, Inside Out.
Formed in the mid 80s in Morecambe, Lancashire, D.A.M. (an abbreviated version of Destruction and Mayhem) were signed to German label Noise Records after impressing with their 1988 demo âHuman Wreckageâ.
Managed by Paul Loasby, the man responsible for the first ever Donington âMonsters of Rockâ festival, the band gigged heavily around the UK and eventually recorded their debut album at the famed Music Lab Studios in Hannover, Germany, with renowned producer Harris Johns (Helloween, Kreator, Voivod)
The debut record was enough to see them touted as one of the major hopefuls of the then burgeoning UK thrash scene, alongside the likes of Sabbat, Onslaught and Xentrix. Their 1989 Hammersmith Odeon performance as part of a bill that included Dark Angel and Candlemass was filmed for the evental â3-Way Thrashâ video release.
A second album followed in 1991, the excellent Inside Out, showcasing a more varied and finely tuned sound.
Unfortunately, thrash metal was on the wane, especially as the UK scene had failed to produce an international breakthrough act, and D.A.M. split soon after the release.











