
In His Blood
The UK's Vacuous make their Relapse Records debut with their new album, In His Blood.
An overdose of Death Metal, In His Blood is a compelling mix of blazing speeds, chilling atmospherics, and angular riffing that bring the band into their own unique space. âWeâve talked about having different influences, and it felt like a bit of a dare to push things further,â guitarist Michael Brodsky says. âBack in death metalâs formative days, with bands like Autopsy, Obituary, Incantation, none of those bands sounded like each other: they were just pushing their collective influences together to the extreme. I think weâre still doing the same thing, just from the point of view of people who grew up in the 2000s.â
From the roaring, quick-fire intensity of the title track to the haunting atmospherics of âHungerâ and the cinematic rumbles of âContrabandâ, with In His Blood Vacuous push the limits of what listeners might expect from Death Metal. âWe have some surprising influences on this album,â Michael says, explaining that the track âHungerâ came out of imagining what it would sound like if The Cure made a Death Metal song. The spontaneity and attitude of punk and hardcore are also an influence, and Michael namechecks Converge â less for their sound, and more for their mindset and experimental nature. âTheyâre inspiring for how they meld different styles together, but it still falls loosely within hardcore and metal,â he says.
Under the overarching idea of violence and voyeurism, in the albumâs lyrics Jo Chen explores a number of topics including horror films, serial killers, school shootings, toxic masculinity, and the Global North and South divide. âThe song âContrabandâ is about the 39 Vietnamese migrants who were suffocated in a lorry trying to come over to England,â Jo says. âIt was such a tragedy, but it was blink and you miss it; news today and gone tomorrow. âI was born in London but my family are from Malaysia, which is historically a poor country,â he continues. âThereâs such a juxtaposition when I go back there. Here in the West, generally, people are often so comfortable. The only access that some people have to extreme poverty and violence is online.â
Going forward,Vacuous want to keep pushing boundaries, being spontaneous, and taking risks. âWe want to have a discography where every album is distinct,â Jo says. âWe donât want to feel like weâre repeating ourselves. You think of a band like Carcass, who do this and itâs super fun to listen to. We just want to keep trying something different.â
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In His Blood
The UK's Vacuous make their Relapse Records debut with their new album, In His Blood.
An overdose of Death Metal, In His Blood is a compelling mix of blazing speeds, chilling atmospherics, and angular riffing that bring the band into their own unique space. âWeâve talked about having different influences, and it felt like a bit of a dare to push things further,â guitarist Michael Brodsky says. âBack in death metalâs formative days, with bands like Autopsy, Obituary, Incantation, none of those bands sounded like each other: they were just pushing their collective influences together to the extreme. I think weâre still doing the same thing, just from the point of view of people who grew up in the 2000s.â
From the roaring, quick-fire intensity of the title track to the haunting atmospherics of âHungerâ and the cinematic rumbles of âContrabandâ, with In His Blood Vacuous push the limits of what listeners might expect from Death Metal. âWe have some surprising influences on this album,â Michael says, explaining that the track âHungerâ came out of imagining what it would sound like if The Cure made a Death Metal song. The spontaneity and attitude of punk and hardcore are also an influence, and Michael namechecks Converge â less for their sound, and more for their mindset and experimental nature. âTheyâre inspiring for how they meld different styles together, but it still falls loosely within hardcore and metal,â he says.
Under the overarching idea of violence and voyeurism, in the albumâs lyrics Jo Chen explores a number of topics including horror films, serial killers, school shootings, toxic masculinity, and the Global North and South divide. âThe song âContrabandâ is about the 39 Vietnamese migrants who were suffocated in a lorry trying to come over to England,â Jo says. âIt was such a tragedy, but it was blink and you miss it; news today and gone tomorrow. âI was born in London but my family are from Malaysia, which is historically a poor country,â he continues. âThereâs such a juxtaposition when I go back there. Here in the West, generally, people are often so comfortable. The only access that some people have to extreme poverty and violence is online.â
Going forward,Vacuous want to keep pushing boundaries, being spontaneous, and taking risks. âWe want to have a discography where every album is distinct,â Jo says. âWe donât want to feel like weâre repeating ourselves. You think of a band like Carcass, who do this and itâs super fun to listen to. We just want to keep trying something different.â
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The UK's Vacuous make their Relapse Records debut with their new album, In His Blood.
An overdose of Death Metal, In His Blood is a compelling mix of blazing speeds, chilling atmospherics, and angular riffing that bring the band into their own unique space. âWeâve talked about having different influences, and it felt like a bit of a dare to push things further,â guitarist Michael Brodsky says. âBack in death metalâs formative days, with bands like Autopsy, Obituary, Incantation, none of those bands sounded like each other: they were just pushing their collective influences together to the extreme. I think weâre still doing the same thing, just from the point of view of people who grew up in the 2000s.â
From the roaring, quick-fire intensity of the title track to the haunting atmospherics of âHungerâ and the cinematic rumbles of âContrabandâ, with In His Blood Vacuous push the limits of what listeners might expect from Death Metal. âWe have some surprising influences on this album,â Michael says, explaining that the track âHungerâ came out of imagining what it would sound like if The Cure made a Death Metal song. The spontaneity and attitude of punk and hardcore are also an influence, and Michael namechecks Converge â less for their sound, and more for their mindset and experimental nature. âTheyâre inspiring for how they meld different styles together, but it still falls loosely within hardcore and metal,â he says.
Under the overarching idea of violence and voyeurism, in the albumâs lyrics Jo Chen explores a number of topics including horror films, serial killers, school shootings, toxic masculinity, and the Global North and South divide. âThe song âContrabandâ is about the 39 Vietnamese migrants who were suffocated in a lorry trying to come over to England,â Jo says. âIt was such a tragedy, but it was blink and you miss it; news today and gone tomorrow. âI was born in London but my family are from Malaysia, which is historically a poor country,â he continues. âThereâs such a juxtaposition when I go back there. Here in the West, generally, people are often so comfortable. The only access that some people have to extreme poverty and violence is online.â
Going forward,Vacuous want to keep pushing boundaries, being spontaneous, and taking risks. âWe want to have a discography where every album is distinct,â Jo says. âWe donât want to feel like weâre repeating ourselves. You think of a band like Carcass, who do this and itâs super fun to listen to. We just want to keep trying something different.â











