Im Gone / Crying Clown
Regarded as the epitome of Northern Soul by many aficionados, âIâm Goneâ by Detroitâs Eddie Parker captures the adrenaline and anger of a busted relationship. He tells of his determination to start again elsewhere. The pulsating rhythm matches that anger, and producer Jack Ashford, one of Motownâs key Funk Brothers, utilizes his percussive know-how to produce such a vital track.
The flip side, âCrying Clownâ, is musically and thematically miles away. Heartbreak and sorrow take the forefront over a beautiful ballad backing. These are two of the greatest soul recordings from the 1960s.
Im Gone / Crying Clown
Regarded as the epitome of Northern Soul by many aficionados, âIâm Goneâ by Detroitâs Eddie Parker captures the adrenaline and anger of a busted relationship. He tells of his determination to start again elsewhere. The pulsating rhythm matches that anger, and producer Jack Ashford, one of Motownâs key Funk Brothers, utilizes his percussive know-how to produce such a vital track.
The flip side, âCrying Clownâ, is musically and thematically miles away. Heartbreak and sorrow take the forefront over a beautiful ballad backing. These are two of the greatest soul recordings from the 1960s.
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Regarded as the epitome of Northern Soul by many aficionados, âIâm Goneâ by Detroitâs Eddie Parker captures the adrenaline and anger of a busted relationship. He tells of his determination to start again elsewhere. The pulsating rhythm matches that anger, and producer Jack Ashford, one of Motownâs key Funk Brothers, utilizes his percussive know-how to produce such a vital track.
The flip side, âCrying Clownâ, is musically and thematically miles away. Heartbreak and sorrow take the forefront over a beautiful ballad backing. These are two of the greatest soul recordings from the 1960s.
