
I Will Keep You in Good Company
I Will Keep You in Good CompanyĀ brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Arturās personal workbooks ā handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.Ā
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed ā of friends, family, strangers, lovers ā held with care and attention.Ā
āI like to be right next to it, in the middle of it, to take it homeā, Johnson Artur writes. āTo keep them close is a way of giving importance and appreciation.ā These workbooks are acts of presence ā visual thinking made physical ā and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora.Ā I Will Keep You in Good CompanyĀ is a candid, generous record of a photographer learning not only how to look, but how to stay close.Ā
I Will Keep You in Good Company
I Will Keep You in Good CompanyĀ brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Arturās personal workbooks ā handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.Ā
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed ā of friends, family, strangers, lovers ā held with care and attention.Ā
āI like to be right next to it, in the middle of it, to take it homeā, Johnson Artur writes. āTo keep them close is a way of giving importance and appreciation.ā These workbooks are acts of presence ā visual thinking made physical ā and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora.Ā I Will Keep You in Good CompanyĀ is a candid, generous record of a photographer learning not only how to look, but how to stay close.Ā
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I Will Keep You in Good CompanyĀ brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Arturās personal workbooks ā handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself.Ā
Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed ā of friends, family, strangers, lovers ā held with care and attention.Ā
āI like to be right next to it, in the middle of it, to take it homeā, Johnson Artur writes. āTo keep them close is a way of giving importance and appreciation.ā These workbooks are acts of presence ā visual thinking made physical ā and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora.Ā I Will Keep You in Good CompanyĀ is a candid, generous record of a photographer learning not only how to look, but how to stay close.Ā











