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Gorecki: Symphony No. 3 - Symphony of Sorrowful Songs
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Gorecki: Symphony No. 3 - Symphony of Sorrowful Songs

Gorecki: Symphony No. 3 - Symphony of Sorrowful Songs

"When Yorden Kamdzhalov (Maestro of the Genesis Orchestra and Choir) suggested the somewhat daunting and intriguing challenge of visiting Gorecki's Songs Of Sorrows, I almost fainted delightfully with surprise. Not only was the work usually completely out of my range, the libretto was written in Polish, but how could I resist Yorden's completely innocent belief in which at that time seemed to be impossible.

On we went relentlessly into the ever widening circular pools of Gorecki's inner despair, a poignantly humbling departure from hope where only the long winding shadowing strings and softly hallowing woodwinds lead us trustingly through a beautifully agonizing acceptance of our inevitability." 

Lisa Gerrard

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Gorecki: Symphony No. 3 - Symphony of Sorrowful Songs—

$23.99

$7.20

Gorecki: Symphony No. 3 - Symphony of Sorrowful Songs

"When Yorden Kamdzhalov (Maestro of the Genesis Orchestra and Choir) suggested the somewhat daunting and intriguing challenge of visiting Gorecki's Songs Of Sorrows, I almost fainted delightfully with surprise. Not only was the work usually completely out of my range, the libretto was written in Polish, but how could I resist Yorden's completely innocent belief in which at that time seemed to be impossible.

On we went relentlessly into the ever widening circular pools of Gorecki's inner despair, a poignantly humbling departure from hope where only the long winding shadowing strings and softly hallowing woodwinds lead us trustingly through a beautifully agonizing acceptance of our inevitability." 

Lisa Gerrard

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"When Yorden Kamdzhalov (Maestro of the Genesis Orchestra and Choir) suggested the somewhat daunting and intriguing challenge of visiting Gorecki's Songs Of Sorrows, I almost fainted delightfully with surprise. Not only was the work usually completely out of my range, the libretto was written in Polish, but how could I resist Yorden's completely innocent belief in which at that time seemed to be impossible.

On we went relentlessly into the ever widening circular pools of Gorecki's inner despair, a poignantly humbling departure from hope where only the long winding shadowing strings and softly hallowing woodwinds lead us trustingly through a beautifully agonizing acceptance of our inevitability." 

Lisa Gerrard