
Folk Songs For Mama and Papa
After years of making genre-defying, other-worldly pop music and performing visceral, kinetic shows across Europe and the UK, Folk Songs For Mama and Papa by Irish artist AE Mak (Aoife McCann) marks a quiet and profound shift. Mainly inspired by her own spirit and influenced by artists such as Björk, Judee Sill, Aldous Harding and Paul Simon, the album steps away from character-making and toward essence. It is a cosmical - spiritual folk record rooted in voice, breath, and emotional resonance in the body. The songs were written in the Winter during a time of deep emotional pain and self-questioning. Living alone in a Berlin apartment, AE Mak began writing at a friendâs piano, singing poems formed over a year of anxiety, low self-worth and self-reckoning directly into melody. The music came quickly, not as an idea to be shaped but as something that already felt there. The recorded demos were later brought to BrĂan Mac Gloinn, who tenderly co-produced and engineered the record with Aoife. Together with Cian Hanley (drums) and Kevin Corcoran (piano, bass) and Fennel the cat, parts of the album were re-recorded in a friendâs farmhouse in Ravensdale forest under the mantelpiece in their kitchen, with other elements captured in her family home in the Cooley Mountains. The recordings hold onto their beginnings - the production remains close and human, drawing from the warmth of â60s and â70s folk and baroque pop, gospel-leaning organ, reverberant orange guitar textures, and layered harmony, the voice at the centre. This is a record born from pain and searching, but also from humour and devotion. It is about illumination, creation, connection, and the quiet, ecstatic knowing that we are not alone - we are spiritual beings having a human experience - âwe came from the stars, you see.â
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Folk Songs For Mama and Papa
After years of making genre-defying, other-worldly pop music and performing visceral, kinetic shows across Europe and the UK, Folk Songs For Mama and Papa by Irish artist AE Mak (Aoife McCann) marks a quiet and profound shift. Mainly inspired by her own spirit and influenced by artists such as Björk, Judee Sill, Aldous Harding and Paul Simon, the album steps away from character-making and toward essence. It is a cosmical - spiritual folk record rooted in voice, breath, and emotional resonance in the body. The songs were written in the Winter during a time of deep emotional pain and self-questioning. Living alone in a Berlin apartment, AE Mak began writing at a friendâs piano, singing poems formed over a year of anxiety, low self-worth and self-reckoning directly into melody. The music came quickly, not as an idea to be shaped but as something that already felt there. The recorded demos were later brought to BrĂan Mac Gloinn, who tenderly co-produced and engineered the record with Aoife. Together with Cian Hanley (drums) and Kevin Corcoran (piano, bass) and Fennel the cat, parts of the album were re-recorded in a friendâs farmhouse in Ravensdale forest under the mantelpiece in their kitchen, with other elements captured in her family home in the Cooley Mountains. The recordings hold onto their beginnings - the production remains close and human, drawing from the warmth of â60s and â70s folk and baroque pop, gospel-leaning organ, reverberant orange guitar textures, and layered harmony, the voice at the centre. This is a record born from pain and searching, but also from humour and devotion. It is about illumination, creation, connection, and the quiet, ecstatic knowing that we are not alone - we are spiritual beings having a human experience - âwe came from the stars, you see.â
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After years of making genre-defying, other-worldly pop music and performing visceral, kinetic shows across Europe and the UK, Folk Songs For Mama and Papa by Irish artist AE Mak (Aoife McCann) marks a quiet and profound shift. Mainly inspired by her own spirit and influenced by artists such as Björk, Judee Sill, Aldous Harding and Paul Simon, the album steps away from character-making and toward essence. It is a cosmical - spiritual folk record rooted in voice, breath, and emotional resonance in the body. The songs were written in the Winter during a time of deep emotional pain and self-questioning. Living alone in a Berlin apartment, AE Mak began writing at a friendâs piano, singing poems formed over a year of anxiety, low self-worth and self-reckoning directly into melody. The music came quickly, not as an idea to be shaped but as something that already felt there. The recorded demos were later brought to BrĂan Mac Gloinn, who tenderly co-produced and engineered the record with Aoife. Together with Cian Hanley (drums) and Kevin Corcoran (piano, bass) and Fennel the cat, parts of the album were re-recorded in a friendâs farmhouse in Ravensdale forest under the mantelpiece in their kitchen, with other elements captured in her family home in the Cooley Mountains. The recordings hold onto their beginnings - the production remains close and human, drawing from the warmth of â60s and â70s folk and baroque pop, gospel-leaning organ, reverberant orange guitar textures, and layered harmony, the voice at the centre. This is a record born from pain and searching, but also from humour and devotion. It is about illumination, creation, connection, and the quiet, ecstatic knowing that we are not alone - we are spiritual beings having a human experience - âwe came from the stars, you see.â











