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Expo
If art is to be exhibited, then Ulrika Spacek will ensure that their art is collective; that even as the world becomes inhospitable to community, their intentions are an act of resistance.Â
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Whether it is Oysterland, the self-curated night the band have been hosting for over 10 years to platform artists of other disciplines in live music spaces; Total Refreshment Centre, the East London studio Syd runs which connects the dots between the jazz scene and like-minded experimental artists of the capital and beyond; or their creative bleed as musicians and producers over the years with the likes of Crack Cloud, caroline, DIIV, Holy Wave and Slowdive, the band’s existence is inseparable from its community.Â
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In a hyper-individual world, the band’s fourth album EXPO offers an antidote. It’s there, in the shared dream logic of the music: the off-kilter melodies, jagged guitars and cirrus cloud atmospherics. It’s there, in all the things that are said and unsaid between them; there in the writing, producing and mixing processes they share in. And even as each of their parts moves toward a unified vision, it’s never more keenly felt than in the bigger picture to which Ulrika Spacek belong.
FFO:Â Radiohead, Moin, DIIV, Astrel K, Slowdive
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Expo
If art is to be exhibited, then Ulrika Spacek will ensure that their art is collective; that even as the world becomes inhospitable to community, their intentions are an act of resistance.Â
Â
Whether it is Oysterland, the self-curated night the band have been hosting for over 10 years to platform artists of other disciplines in live music spaces; Total Refreshment Centre, the East London studio Syd runs which connects the dots between the jazz scene and like-minded experimental artists of the capital and beyond; or their creative bleed as musicians and producers over the years with the likes of Crack Cloud, caroline, DIIV, Holy Wave and Slowdive, the band’s existence is inseparable from its community.Â
Â
In a hyper-individual world, the band’s fourth album EXPO offers an antidote. It’s there, in the shared dream logic of the music: the off-kilter melodies, jagged guitars and cirrus cloud atmospherics. It’s there, in all the things that are said and unsaid between them; there in the writing, producing and mixing processes they share in. And even as each of their parts moves toward a unified vision, it’s never more keenly felt than in the bigger picture to which Ulrika Spacek belong.
FFO:Â Radiohead, Moin, DIIV, Astrel K, Slowdive
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If art is to be exhibited, then Ulrika Spacek will ensure that their art is collective; that even as the world becomes inhospitable to community, their intentions are an act of resistance.Â
Â
Whether it is Oysterland, the self-curated night the band have been hosting for over 10 years to platform artists of other disciplines in live music spaces; Total Refreshment Centre, the East London studio Syd runs which connects the dots between the jazz scene and like-minded experimental artists of the capital and beyond; or their creative bleed as musicians and producers over the years with the likes of Crack Cloud, caroline, DIIV, Holy Wave and Slowdive, the band’s existence is inseparable from its community.Â
Â
In a hyper-individual world, the band’s fourth album EXPO offers an antidote. It’s there, in the shared dream logic of the music: the off-kilter melodies, jagged guitars and cirrus cloud atmospherics. It’s there, in all the things that are said and unsaid between them; there in the writing, producing and mixing processes they share in. And even as each of their parts moves toward a unified vision, it’s never more keenly felt than in the bigger picture to which Ulrika Spacek belong.
FFO:Â Radiohead, Moin, DIIV, Astrel K, Slowdive
