Essam
Essam is the band’s fourth album, recorded with the same core lineup, but marks a significant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwen’s heritage—moving toward something more open, modern, and exploratory.
For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer. He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments and reprocessing them in real time with a modular synthesizer—subtly reshaping the band's sonic identity.
The album was recorded mostly live, in one big room at Aboogi Studio—the band’s own rehearsal and recording space in Tamanrasset. The studio, a converted concert hall, has become a kind of cultural hub for the local youth. Friends dropped by during the sessions to contribute handclaps, vocals, and just be part of the energy. It’s a space where people gather, hang out, play dominoes, smoke chicha—a rare communal spot in a city that doesn’t offer many for young people, somewhat like a youth and community center.
This context—the creative shift, the live recording process, the atmosphere around Aboogi—might be interesting threads to explore in the conversation.
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Essam
Essam is the band’s fourth album, recorded with the same core lineup, but marks a significant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwen’s heritage—moving toward something more open, modern, and exploratory.
For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer. He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments and reprocessing them in real time with a modular synthesizer—subtly reshaping the band's sonic identity.
The album was recorded mostly live, in one big room at Aboogi Studio—the band’s own rehearsal and recording space in Tamanrasset. The studio, a converted concert hall, has become a kind of cultural hub for the local youth. Friends dropped by during the sessions to contribute handclaps, vocals, and just be part of the energy. It’s a space where people gather, hang out, play dominoes, smoke chicha—a rare communal spot in a city that doesn’t offer many for young people, somewhat like a youth and community center.
This context—the creative shift, the live recording process, the atmosphere around Aboogi—might be interesting threads to explore in the conversation.
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Description
Essam is the band’s fourth album, recorded with the same core lineup, but marks a significant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwen’s heritage—moving toward something more open, modern, and exploratory.
For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer. He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments and reprocessing them in real time with a modular synthesizer—subtly reshaping the band's sonic identity.
The album was recorded mostly live, in one big room at Aboogi Studio—the band’s own rehearsal and recording space in Tamanrasset. The studio, a converted concert hall, has become a kind of cultural hub for the local youth. Friends dropped by during the sessions to contribute handclaps, vocals, and just be part of the energy. It’s a space where people gather, hang out, play dominoes, smoke chicha—a rare communal spot in a city that doesn’t offer many for young people, somewhat like a youth and community center.
This context—the creative shift, the live recording process, the atmosphere around Aboogi—might be interesting threads to explore in the conversation.
