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El Nuevo Montuno Llego
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El Nuevo Montuno Llego

El Nuevo Montuno Llego

Roberto y su Nuevo Montuno recorded their first album, El Nuevo Montuno Llego (1970), when Roberto BerrĂ­os was just 22 years old. This was also the debut release on Haddock’s own Uniart label. BerrĂ­os remembers that they did the recording in two sessions, splitting it up into four tracks per visit. The engineer was the famed Pedro “Pedrito” HenrĂ­quez, who recorded El Gran Combo, Roberto Roena and many others. The band had a mix of tasty, powerful originals, from Tony CintrĂłn’s title track that announced the band had arrived, El Nuevo Montuno Llego to Quique DĂĄvila’s mournful ‘Triste Arrabal.’ Then there was the hit SanterĂ­a themed tune, ‘LlamĂ© a ChangĂł,’ which was a song that Quique DĂĄvila brought to the band, but had been originally composed by Carlos Pinto, though Quique was given the credit. DĂĄvila also composed ‘Me Queda Un GuaguancĂł,’ which is Roberto’s favorite song on the record (as well as a fan favorite), with Papo sounding like his friend HĂ©ctor Lavoe, and Quique DĂĄvila’s proud manifesto declaring that Puerto Rico now had its own son montuno, ‘Oye Tu Son, Borinquen,’ featuring the pianist’s tasty but brief solo.

The cover versions came from the group’s earliest period when most of their repertoire consisted of renditions of beloved but lesser known tunes, and include Louie RamĂ­rez’s ‘BalancĂ©ate’ (a favorite of Roberto’s from Ray Barretto’s songbook), Bobby ValentĂ­n’s ‘Monina y RamĂłn’ (recorded during his stint with Willie Rosario), and a bolero indelibly sung by Cheo Feliciano when he was with the Joe Cuba Sextet, ‘Dichoso,’ written by Joe Cuba’s talented pianist, Nick JimĂ©nez. Some of the arranging was done by CintrĂłn and some by DĂĄvila, though Quique had some help from his old friend from El Combo Moderno, Freddie Miranda, who at that time was with Roberto Roena’s Apollo Sound. Roberto says that the arrangements of the cover tunes were made specifically to be different and more contemporary sounding than the originals. El Nuevo Montuno Llego has become a legendary salsa dura classic from Puerto Rico.

$14.00

Original: $46.67

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El Nuevo Montuno Llego—

$46.67

$14.00

El Nuevo Montuno Llego

Roberto y su Nuevo Montuno recorded their first album, El Nuevo Montuno Llego (1970), when Roberto BerrĂ­os was just 22 years old. This was also the debut release on Haddock’s own Uniart label. BerrĂ­os remembers that they did the recording in two sessions, splitting it up into four tracks per visit. The engineer was the famed Pedro “Pedrito” HenrĂ­quez, who recorded El Gran Combo, Roberto Roena and many others. The band had a mix of tasty, powerful originals, from Tony CintrĂłn’s title track that announced the band had arrived, El Nuevo Montuno Llego to Quique DĂĄvila’s mournful ‘Triste Arrabal.’ Then there was the hit SanterĂ­a themed tune, ‘LlamĂ© a ChangĂł,’ which was a song that Quique DĂĄvila brought to the band, but had been originally composed by Carlos Pinto, though Quique was given the credit. DĂĄvila also composed ‘Me Queda Un GuaguancĂł,’ which is Roberto’s favorite song on the record (as well as a fan favorite), with Papo sounding like his friend HĂ©ctor Lavoe, and Quique DĂĄvila’s proud manifesto declaring that Puerto Rico now had its own son montuno, ‘Oye Tu Son, Borinquen,’ featuring the pianist’s tasty but brief solo.

The cover versions came from the group’s earliest period when most of their repertoire consisted of renditions of beloved but lesser known tunes, and include Louie RamĂ­rez’s ‘BalancĂ©ate’ (a favorite of Roberto’s from Ray Barretto’s songbook), Bobby ValentĂ­n’s ‘Monina y RamĂłn’ (recorded during his stint with Willie Rosario), and a bolero indelibly sung by Cheo Feliciano when he was with the Joe Cuba Sextet, ‘Dichoso,’ written by Joe Cuba’s talented pianist, Nick JimĂ©nez. Some of the arranging was done by CintrĂłn and some by DĂĄvila, though Quique had some help from his old friend from El Combo Moderno, Freddie Miranda, who at that time was with Roberto Roena’s Apollo Sound. Roberto says that the arrangements of the cover tunes were made specifically to be different and more contemporary sounding than the originals. El Nuevo Montuno Llego has become a legendary salsa dura classic from Puerto Rico.

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Roberto y su Nuevo Montuno recorded their first album, El Nuevo Montuno Llego (1970), when Roberto BerrĂ­os was just 22 years old. This was also the debut release on Haddock’s own Uniart label. BerrĂ­os remembers that they did the recording in two sessions, splitting it up into four tracks per visit. The engineer was the famed Pedro “Pedrito” HenrĂ­quez, who recorded El Gran Combo, Roberto Roena and many others. The band had a mix of tasty, powerful originals, from Tony CintrĂłn’s title track that announced the band had arrived, El Nuevo Montuno Llego to Quique DĂĄvila’s mournful ‘Triste Arrabal.’ Then there was the hit SanterĂ­a themed tune, ‘LlamĂ© a ChangĂł,’ which was a song that Quique DĂĄvila brought to the band, but had been originally composed by Carlos Pinto, though Quique was given the credit. DĂĄvila also composed ‘Me Queda Un GuaguancĂł,’ which is Roberto’s favorite song on the record (as well as a fan favorite), with Papo sounding like his friend HĂ©ctor Lavoe, and Quique DĂĄvila’s proud manifesto declaring that Puerto Rico now had its own son montuno, ‘Oye Tu Son, Borinquen,’ featuring the pianist’s tasty but brief solo.

The cover versions came from the group’s earliest period when most of their repertoire consisted of renditions of beloved but lesser known tunes, and include Louie RamĂ­rez’s ‘BalancĂ©ate’ (a favorite of Roberto’s from Ray Barretto’s songbook), Bobby ValentĂ­n’s ‘Monina y RamĂłn’ (recorded during his stint with Willie Rosario), and a bolero indelibly sung by Cheo Feliciano when he was with the Joe Cuba Sextet, ‘Dichoso,’ written by Joe Cuba’s talented pianist, Nick JimĂ©nez. Some of the arranging was done by CintrĂłn and some by DĂĄvila, though Quique had some help from his old friend from El Combo Moderno, Freddie Miranda, who at that time was with Roberto Roena’s Apollo Sound. Roberto says that the arrangements of the cover tunes were made specifically to be different and more contemporary sounding than the originals. El Nuevo Montuno Llego has become a legendary salsa dura classic from Puerto Rico.