Dressel Amorosi
The Italian instrumental duo Dressel Amorosi return this October with their highly anticipated new album, House of Dolls, via Library of the Occult Records.
Following their acclaimed releases DeathMetha and Spectrum, House of Dolls sees Heinrich Dressel (Valerio Lombardozzi) and Federico Amorosi expand their signature sound of cinematic tension, hypnotic basslines and a heady fusion of analog synths, into darker, more immersive territory.
Rooted in the spirit of 1970s and â80s Italian horror and library music, the duoâs compositions echo the legacy of John Carpenter, Goblin, and Fabio Frizzi, while delivering their own contemporary electronic sensibility. The result is an album that feels both timeless and uncanny, a soundtrack to a film that doesnât exist, yet one you somehow remember.
Tony Giles of âThe Record Roomâ captures it perfectly:
âListening to Dressel Amorosiâs House Of Dolls should be the dictionary definition of dĂ©jĂ vu! Every song has had me thinking, I know this and I love this.  From the evocative melody of Octagon Tower to the dance floor shaking Escape, each song sounds like a well-crafted electronic love letter to the brain. I have heard the future and the future is Dressel Amorosi.â From the haunting opener to the pulsating, synth driven finale, House of Dolls unfolds like a dream sequence, eerie, alluring, and irresistibly cinematic. A perfect addition to the Library of the Occult catalogue, it cements Dressel Amorosiâs place among the most distinctive voices in modern electronic and soundtrack-inspired music.
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Dressel Amorosi
The Italian instrumental duo Dressel Amorosi return this October with their highly anticipated new album, House of Dolls, via Library of the Occult Records.
Following their acclaimed releases DeathMetha and Spectrum, House of Dolls sees Heinrich Dressel (Valerio Lombardozzi) and Federico Amorosi expand their signature sound of cinematic tension, hypnotic basslines and a heady fusion of analog synths, into darker, more immersive territory.
Rooted in the spirit of 1970s and â80s Italian horror and library music, the duoâs compositions echo the legacy of John Carpenter, Goblin, and Fabio Frizzi, while delivering their own contemporary electronic sensibility. The result is an album that feels both timeless and uncanny, a soundtrack to a film that doesnât exist, yet one you somehow remember.
Tony Giles of âThe Record Roomâ captures it perfectly:
âListening to Dressel Amorosiâs House Of Dolls should be the dictionary definition of dĂ©jĂ vu! Every song has had me thinking, I know this and I love this.  From the evocative melody of Octagon Tower to the dance floor shaking Escape, each song sounds like a well-crafted electronic love letter to the brain. I have heard the future and the future is Dressel Amorosi.â From the haunting opener to the pulsating, synth driven finale, House of Dolls unfolds like a dream sequence, eerie, alluring, and irresistibly cinematic. A perfect addition to the Library of the Occult catalogue, it cements Dressel Amorosiâs place among the most distinctive voices in modern electronic and soundtrack-inspired music.
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The Italian instrumental duo Dressel Amorosi return this October with their highly anticipated new album, House of Dolls, via Library of the Occult Records.
Following their acclaimed releases DeathMetha and Spectrum, House of Dolls sees Heinrich Dressel (Valerio Lombardozzi) and Federico Amorosi expand their signature sound of cinematic tension, hypnotic basslines and a heady fusion of analog synths, into darker, more immersive territory.
Rooted in the spirit of 1970s and â80s Italian horror and library music, the duoâs compositions echo the legacy of John Carpenter, Goblin, and Fabio Frizzi, while delivering their own contemporary electronic sensibility. The result is an album that feels both timeless and uncanny, a soundtrack to a film that doesnât exist, yet one you somehow remember.
Tony Giles of âThe Record Roomâ captures it perfectly:
âListening to Dressel Amorosiâs House Of Dolls should be the dictionary definition of dĂ©jĂ vu! Every song has had me thinking, I know this and I love this.  From the evocative melody of Octagon Tower to the dance floor shaking Escape, each song sounds like a well-crafted electronic love letter to the brain. I have heard the future and the future is Dressel Amorosi.â From the haunting opener to the pulsating, synth driven finale, House of Dolls unfolds like a dream sequence, eerie, alluring, and irresistibly cinematic. A perfect addition to the Library of the Occult catalogue, it cements Dressel Amorosiâs place among the most distinctive voices in modern electronic and soundtrack-inspired music.
