
Dream In Dream
Japanese producer Saeko Killy returns for her second album of psychedelic electronics and drum machine workouts with âDream In Dreamâ on Bureau B. In contrast to her first LP âMorphing Polaroidsâ, which was a more collaborative project coming out of the pandemic, âDream In Dreamâ sees Saeko Killy take the lion's share of the controls herself. This time around she wrote and played mostly everything herself, meaning she could arrange her songs exactly how she liked, to draw out their dream-like elements. âAll the songs were recorded in Berlin in 2024,â Saeko says. âPlaying and performing in front of people gave me a lot of inspiration. It made me write songs with simpler structures, because I have only two arms!â Occasionally Saeko got around the arm issue by teaming up with her good friend and guitarist Alexa D!saster, who features on âMelancholikâ and the album-opener. Saeko mixed the album together with Sebastian Lee Philipp aka Die Wilde Jagd, another long-time friend that Saeko was introduced to when she first moved to Berlin. Together in Sebastianâs studio, they brought out the harmonics of Saekoâs collection of Korgs, Yamahas and other affordable, modern-day versions of classic synths. âSebastian has delicate ears,â Saeko explains. âHe was very much hearing what I wanted to do with the sound, and sometimes his ideas would just fit perfectly to the songs. He made it all happen with his great knowledge, totally magic!â Music and magic are just some of the languages that appear on âDream In Dreamâ, which also switches between Japanese, English and German. The result is something that could have been heard booming out of speakers in West Berlin in the â80s. However the changing languages also place Saekoâs songs somewhere between worlds. They sound new wave, but filtered through Saekoâs lens of J-Pop, NDW, and Industrial music.Â
Dream In Dream
Japanese producer Saeko Killy returns for her second album of psychedelic electronics and drum machine workouts with âDream In Dreamâ on Bureau B. In contrast to her first LP âMorphing Polaroidsâ, which was a more collaborative project coming out of the pandemic, âDream In Dreamâ sees Saeko Killy take the lion's share of the controls herself. This time around she wrote and played mostly everything herself, meaning she could arrange her songs exactly how she liked, to draw out their dream-like elements. âAll the songs were recorded in Berlin in 2024,â Saeko says. âPlaying and performing in front of people gave me a lot of inspiration. It made me write songs with simpler structures, because I have only two arms!â Occasionally Saeko got around the arm issue by teaming up with her good friend and guitarist Alexa D!saster, who features on âMelancholikâ and the album-opener. Saeko mixed the album together with Sebastian Lee Philipp aka Die Wilde Jagd, another long-time friend that Saeko was introduced to when she first moved to Berlin. Together in Sebastianâs studio, they brought out the harmonics of Saekoâs collection of Korgs, Yamahas and other affordable, modern-day versions of classic synths. âSebastian has delicate ears,â Saeko explains. âHe was very much hearing what I wanted to do with the sound, and sometimes his ideas would just fit perfectly to the songs. He made it all happen with his great knowledge, totally magic!â Music and magic are just some of the languages that appear on âDream In Dreamâ, which also switches between Japanese, English and German. The result is something that could have been heard booming out of speakers in West Berlin in the â80s. However the changing languages also place Saekoâs songs somewhere between worlds. They sound new wave, but filtered through Saekoâs lens of J-Pop, NDW, and Industrial music.Â
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Japanese producer Saeko Killy returns for her second album of psychedelic electronics and drum machine workouts with âDream In Dreamâ on Bureau B. In contrast to her first LP âMorphing Polaroidsâ, which was a more collaborative project coming out of the pandemic, âDream In Dreamâ sees Saeko Killy take the lion's share of the controls herself. This time around she wrote and played mostly everything herself, meaning she could arrange her songs exactly how she liked, to draw out their dream-like elements. âAll the songs were recorded in Berlin in 2024,â Saeko says. âPlaying and performing in front of people gave me a lot of inspiration. It made me write songs with simpler structures, because I have only two arms!â Occasionally Saeko got around the arm issue by teaming up with her good friend and guitarist Alexa D!saster, who features on âMelancholikâ and the album-opener. Saeko mixed the album together with Sebastian Lee Philipp aka Die Wilde Jagd, another long-time friend that Saeko was introduced to when she first moved to Berlin. Together in Sebastianâs studio, they brought out the harmonics of Saekoâs collection of Korgs, Yamahas and other affordable, modern-day versions of classic synths. âSebastian has delicate ears,â Saeko explains. âHe was very much hearing what I wanted to do with the sound, and sometimes his ideas would just fit perfectly to the songs. He made it all happen with his great knowledge, totally magic!â Music and magic are just some of the languages that appear on âDream In Dreamâ, which also switches between Japanese, English and German. The result is something that could have been heard booming out of speakers in West Berlin in the â80s. However the changing languages also place Saekoâs songs somewhere between worlds. They sound new wave, but filtered through Saekoâs lens of J-Pop, NDW, and Industrial music.Â











