Der Golem
Using violin, viola and electronic / synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered 7th March 2025 in a Parisian cinema near Place de l'Etoile - by invitation of Vincent Glaume (organiser of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the 70's, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his "Pop" LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for "Nekromantik", later in "Der Todesking" and finally in "Nekromantik 2". He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
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Der Golem
Using violin, viola and electronic / synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered 7th March 2025 in a Parisian cinema near Place de l'Etoile - by invitation of Vincent Glaume (organiser of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the 70's, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his "Pop" LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for "Nekromantik", later in "Der Todesking" and finally in "Nekromantik 2". He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
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Using violin, viola and electronic / synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered 7th March 2025 in a Parisian cinema near Place de l'Etoile - by invitation of Vincent Glaume (organiser of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the 70's, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his "Pop" LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for "Nekromantik", later in "Der Todesking" and finally in "Nekromantik 2". He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
