Dame Cafe
Dame cafĂ©, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item.
The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene. The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms.
This group included notable figures like AndrĂ©s Landero, AnĂbal VelĂĄsquez, Lisandro Meza, and Alfredo GutiĂ©rrez, among others. A prime example of their diverse musical styles is the album Dame cafĂ©, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaĂto and pasaje.
The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind Dame cafĂ©, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The groupâs creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends.
Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album Dame cafĂ© has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track âPues no da paâ mĂĄsâ.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item. The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.
Dame Cafe
Dame cafĂ©, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item.
The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene. The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms.
This group included notable figures like AndrĂ©s Landero, AnĂbal VelĂĄsquez, Lisandro Meza, and Alfredo GutiĂ©rrez, among others. A prime example of their diverse musical styles is the album Dame cafĂ©, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaĂto and pasaje.
The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind Dame cafĂ©, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The groupâs creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends.
Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album Dame cafĂ© has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track âPues no da paâ mĂĄsâ.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item. The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Dame cafĂ©, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item.
The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene. The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms.
This group included notable figures like AndrĂ©s Landero, AnĂbal VelĂĄsquez, Lisandro Meza, and Alfredo GutiĂ©rrez, among others. A prime example of their diverse musical styles is the album Dame cafĂ©, released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaĂto and pasaje.
The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time.
Los Gavilanes de la Costa, the band behind Dame cafĂ©, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The groupâs creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends.
Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City.
The album Dame cafĂ© has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track âPues no da paâ mĂĄsâ.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collectorâs item. The albumâs lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.
