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Crack Magazine - 175 - Jawnino
Crack Magazine is a UK music platform that started in 2009 as a DIY newspaper for music obsessives. Sixteen years later, Crack remains a vital voice, spotlighting music's most essential artists.Â
Crack Magazine’s March issue is covered by UK rap’s ghost in the machine, Jawnino.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
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$1.20Crack Magazine - 175 - Jawnino
Crack Magazine is a UK music platform that started in 2009 as a DIY newspaper for music obsessives. Sixteen years later, Crack remains a vital voice, spotlighting music's most essential artists.Â
Crack Magazine’s March issue is covered by UK rap’s ghost in the machine, Jawnino.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
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Crack Magazine is a UK music platform that started in 2009 as a DIY newspaper for music obsessives. Sixteen years later, Crack remains a vital voice, spotlighting music's most essential artists.Â
Crack Magazine’s March issue is covered by UK rap’s ghost in the machine, Jawnino.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
In the cover story, Robert Kazandjian meets the enigmatic artist and UK Ug trailblazer at a Whitechapel restaurant to chart his journey from Roehampton, west London – where he secretly honed his bars in his bedroom – to the forefront of the UK underground, with his genre‑splicing style and existential, hedonistic narratives cementing his status as a visionary of the scene. Along the way, he reflects on religion, community and why life isn’t always as deep as we make it out to be.
Also featured in this issue: Dearborn, Michigan noise-punks Prostitute explain how they’re channelling anger into action; an essay by Dr Lambros Fatsis, inspired by his forthcoming book Policing the Beats; and a guide to Nagoya’s thriving electronic scene.
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