Constant Noise
Constant Noise follows the bandâs debut album Nails. After a succession of different line-ups, Benefits have now settled as a two-piece made up of Hall and electronic virtuoso Robbie Major. âWeâre still angryâ says Hall, âjust angry in a different way to before. If the previous record was black and white, we wanted this to be technicolour. âThe first taste of this new musical direction came in the form of âLand Of The Tyrantsâ, which saw the band delving into bass-heavy, dance inflected rhythms and subtle industrial undercurrents. Follow-up single âRelentlessâ featured The Libertinesâ Peter Doherty and saw the band move further into ambient electronic atmospherics. Doherty is just one of the collaborators on the new record, Zera TĂžnin, the singer of queer pop-electro duo Arch Femmesis, Neil Cooper of Therapy?, and Middlesborough rapper Shakkall make cameos. In addition to the guest musicians, the album also features production from James Welsh (Phantasy Sound), and James Adrian Brown (ex-Pulled Apart By Horses) who helped to guide the new direction. The result is an album that gleans as much from the likes of Underworld and Leftfield as it does the likes of The Streets or Beastie Boys in their pomp, or even the 90s /early 00s Indie Sleaze-era.
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Constant Noise
Constant Noise follows the bandâs debut album Nails. After a succession of different line-ups, Benefits have now settled as a two-piece made up of Hall and electronic virtuoso Robbie Major. âWeâre still angryâ says Hall, âjust angry in a different way to before. If the previous record was black and white, we wanted this to be technicolour. âThe first taste of this new musical direction came in the form of âLand Of The Tyrantsâ, which saw the band delving into bass-heavy, dance inflected rhythms and subtle industrial undercurrents. Follow-up single âRelentlessâ featured The Libertinesâ Peter Doherty and saw the band move further into ambient electronic atmospherics. Doherty is just one of the collaborators on the new record, Zera TĂžnin, the singer of queer pop-electro duo Arch Femmesis, Neil Cooper of Therapy?, and Middlesborough rapper Shakkall make cameos. In addition to the guest musicians, the album also features production from James Welsh (Phantasy Sound), and James Adrian Brown (ex-Pulled Apart By Horses) who helped to guide the new direction. The result is an album that gleans as much from the likes of Underworld and Leftfield as it does the likes of The Streets or Beastie Boys in their pomp, or even the 90s /early 00s Indie Sleaze-era.
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Constant Noise follows the bandâs debut album Nails. After a succession of different line-ups, Benefits have now settled as a two-piece made up of Hall and electronic virtuoso Robbie Major. âWeâre still angryâ says Hall, âjust angry in a different way to before. If the previous record was black and white, we wanted this to be technicolour. âThe first taste of this new musical direction came in the form of âLand Of The Tyrantsâ, which saw the band delving into bass-heavy, dance inflected rhythms and subtle industrial undercurrents. Follow-up single âRelentlessâ featured The Libertinesâ Peter Doherty and saw the band move further into ambient electronic atmospherics. Doherty is just one of the collaborators on the new record, Zera TĂžnin, the singer of queer pop-electro duo Arch Femmesis, Neil Cooper of Therapy?, and Middlesborough rapper Shakkall make cameos. In addition to the guest musicians, the album also features production from James Welsh (Phantasy Sound), and James Adrian Brown (ex-Pulled Apart By Horses) who helped to guide the new direction. The result is an album that gleans as much from the likes of Underworld and Leftfield as it does the likes of The Streets or Beastie Boys in their pomp, or even the 90s /early 00s Indie Sleaze-era.
