Colourmeinkindness
it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emoās zenithsāearly Sunny Day Real Estateābut also channeling heavy and sometimes hazy ā90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener āWholeā into the balladic doom of āCovetā, to the sneering grunge of āBlackā and gentle ease of āComfortā, Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore. Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basementās like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that ā90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.
Original: $33.33
-70%$33.33
$10.00Colourmeinkindness
it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emoās zenithsāearly Sunny Day Real Estateābut also channeling heavy and sometimes hazy ā90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener āWholeā into the balladic doom of āCovetā, to the sneering grunge of āBlackā and gentle ease of āComfortā, Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore. Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basementās like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that ā90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.
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Description
it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emoās zenithsāearly Sunny Day Real Estateābut also channeling heavy and sometimes hazy ā90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener āWholeā into the balladic doom of āCovetā, to the sneering grunge of āBlackā and gentle ease of āComfortā, Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore. Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basementās like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that ā90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.
