Cartoon Darkness [Doing In Me Lungs Edition]
Albums of the Year 2024 - Number 7 In the eight years since Amyl and The Sniffers came together in Melbourneâs sticky pub-rock scene, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019âs self-titled debut and 2021âs visceral Comfort To Me - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable. Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And itâs this attitude - bigger, brighter, smarter, sharper - thatâs fuelling their third album, Cartoon Darkness. Recorded with producer Nick Launay at Foo Fightersâ 606 Studios in Los Angeles, on the same desk that captured Nirvanaâs Nevermind and Fleetwood Macâs Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffersâ most diverse album yet. It stretches from classic punk to the glammy strut of recent single âU Should Not Be Doing Thatâ to the stormy balladry of âBig Dreamsâ (which is a sonic gear shift worthy of the title). Cartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when weâre all just feeding the data beast of Big Tech, our modern day god. Itâs about the fact that our generation is spoon-fed information. We look like adults, but weâre children forever cocooned in a shell. Weâre all passively gulping up distractions that donât even cause pleasure, sensation or joy, they just cause numbness. Everything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me. Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesnât even exist yet. A childlike darkness. I donât want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun.
Original: $46.67
-70%$46.67
$14.00Cartoon Darkness [Doing In Me Lungs Edition]
Albums of the Year 2024 - Number 7 In the eight years since Amyl and The Sniffers came together in Melbourneâs sticky pub-rock scene, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019âs self-titled debut and 2021âs visceral Comfort To Me - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable. Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And itâs this attitude - bigger, brighter, smarter, sharper - thatâs fuelling their third album, Cartoon Darkness. Recorded with producer Nick Launay at Foo Fightersâ 606 Studios in Los Angeles, on the same desk that captured Nirvanaâs Nevermind and Fleetwood Macâs Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffersâ most diverse album yet. It stretches from classic punk to the glammy strut of recent single âU Should Not Be Doing Thatâ to the stormy balladry of âBig Dreamsâ (which is a sonic gear shift worthy of the title). Cartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when weâre all just feeding the data beast of Big Tech, our modern day god. Itâs about the fact that our generation is spoon-fed information. We look like adults, but weâre children forever cocooned in a shell. Weâre all passively gulping up distractions that donât even cause pleasure, sensation or joy, they just cause numbness. Everything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me. Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesnât even exist yet. A childlike darkness. I donât want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Albums of the Year 2024 - Number 7 In the eight years since Amyl and The Sniffers came together in Melbourneâs sticky pub-rock scene, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019âs self-titled debut and 2021âs visceral Comfort To Me - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable. Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And itâs this attitude - bigger, brighter, smarter, sharper - thatâs fuelling their third album, Cartoon Darkness. Recorded with producer Nick Launay at Foo Fightersâ 606 Studios in Los Angeles, on the same desk that captured Nirvanaâs Nevermind and Fleetwood Macâs Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffersâ most diverse album yet. It stretches from classic punk to the glammy strut of recent single âU Should Not Be Doing Thatâ to the stormy balladry of âBig Dreamsâ (which is a sonic gear shift worthy of the title). Cartoon Darkness is about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when weâre all just feeding the data beast of Big Tech, our modern day god. Itâs about the fact that our generation is spoon-fed information. We look like adults, but weâre children forever cocooned in a shell. Weâre all passively gulping up distractions that donât even cause pleasure, sensation or joy, they just cause numbness. Everything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me. Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesnât even exist yet. A childlike darkness. I donât want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun.
