Body Sound
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio of improvisers individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who's who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Their collective sound is based in improvised performance automatic, intuitive composition via their three voices and three string instruments: viola, cello, and violin, respectively. Influences here are vast, dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied hals of the academy.
As a recording unit, the trio hones and transforms their performance concept with careful post-production, using multiple tape machines and outboard effects to reimagine their improvised material into meticulously crafted compositions. It's al a response to the spaces they are collectively engaged with, and the use of a highly physical medium like analog tape deepens that spatial engagement with striking, organically psychedelic results.
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Body Sound
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio of improvisers individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who's who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Their collective sound is based in improvised performance automatic, intuitive composition via their three voices and three string instruments: viola, cello, and violin, respectively. Influences here are vast, dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied hals of the academy.
As a recording unit, the trio hones and transforms their performance concept with careful post-production, using multiple tape machines and outboard effects to reimagine their improvised material into meticulously crafted compositions. It's al a response to the spaces they are collectively engaged with, and the use of a highly physical medium like analog tape deepens that spatial engagement with striking, organically psychedelic results.
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Whitney Johnson, Lia Kohl, and Macie Stewart are a trio of improvisers individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who's who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Their collective sound is based in improvised performance automatic, intuitive composition via their three voices and three string instruments: viola, cello, and violin, respectively. Influences here are vast, dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied hals of the academy.
As a recording unit, the trio hones and transforms their performance concept with careful post-production, using multiple tape machines and outboard effects to reimagine their improvised material into meticulously crafted compositions. It's al a response to the spaces they are collectively engaged with, and the use of a highly physical medium like analog tape deepens that spatial engagement with striking, organically psychedelic results.
