
Basic Country Mustard
The sixth Red River Dialect album, and first in six years, picks up where 2019âs Abundance Welcoming Ghosts left off; lyric-focussed folk-rock which is neither transatlantic nor straining for trad-British authenticity. The band formed in 2008 in Cornwall around Cornish songwriter David John Morris, but following a decade or more living in London (with other members scattered further) the Celtic claims have hollowed out some; just another Basic Country boy singing in the big smoke.
There is, however, one song on the record which David claims to be the âmost non-Cornish language Cornish song everâ.  âTorrey Canyon, Lyonesseâ lands us in the midst of the 1967 sinking of the Torrey Canyon oil tanker between Landâs End and the Isles of Scilly, and a slick which stretched to Brittany, named the âmarĂ©e noireâ (black tide) by locals there. Following a thorough bombing by the Royal Air Force the hull came to rest on the sea floor where the remains of Lyonesse, a mythic land inundated in 1099, are said to lie. The song traces a link between aristocratic survivors of a lost paradise and those building climate catastrophe-proof bunkers.
The Basic Country on show here is, at times, quite country. âFire BB (Frocks of the Parson)â lopes along, with estuary English vowels tugging at the sleeves of a visiting Nashvillian (or should we say Nashvillain; this is one for the reforming people pleasers out there). Throughout the album Robin Lane-Robertsâ piano brings out the more tender shades, poignant here on a song which swaggers but is ultimately about finding a grounded path to openness. âSheepâs Clothingâ nods to Jake Xerxes Fussell songs about being âgone and goingâ and no amount of anglophonics could hide the guilty pleasure of these cowboy chords. The album starts with Simon Drinkwaterâs majestic celtic harp on âThis Restlessnessâ and ends with Edd Sandersâ soaring fiddle and thicc Uilleann piping (âCurse is Brokenâ) showing us that this is also a band that would like to jam with Alan Stivell and Seamus Ennis in Lyonesse.
More Images

Basic Country Mustard
The sixth Red River Dialect album, and first in six years, picks up where 2019âs Abundance Welcoming Ghosts left off; lyric-focussed folk-rock which is neither transatlantic nor straining for trad-British authenticity. The band formed in 2008 in Cornwall around Cornish songwriter David John Morris, but following a decade or more living in London (with other members scattered further) the Celtic claims have hollowed out some; just another Basic Country boy singing in the big smoke.
There is, however, one song on the record which David claims to be the âmost non-Cornish language Cornish song everâ.  âTorrey Canyon, Lyonesseâ lands us in the midst of the 1967 sinking of the Torrey Canyon oil tanker between Landâs End and the Isles of Scilly, and a slick which stretched to Brittany, named the âmarĂ©e noireâ (black tide) by locals there. Following a thorough bombing by the Royal Air Force the hull came to rest on the sea floor where the remains of Lyonesse, a mythic land inundated in 1099, are said to lie. The song traces a link between aristocratic survivors of a lost paradise and those building climate catastrophe-proof bunkers.
The Basic Country on show here is, at times, quite country. âFire BB (Frocks of the Parson)â lopes along, with estuary English vowels tugging at the sleeves of a visiting Nashvillian (or should we say Nashvillain; this is one for the reforming people pleasers out there). Throughout the album Robin Lane-Robertsâ piano brings out the more tender shades, poignant here on a song which swaggers but is ultimately about finding a grounded path to openness. âSheepâs Clothingâ nods to Jake Xerxes Fussell songs about being âgone and goingâ and no amount of anglophonics could hide the guilty pleasure of these cowboy chords. The album starts with Simon Drinkwaterâs majestic celtic harp on âThis Restlessnessâ and ends with Edd Sandersâ soaring fiddle and thicc Uilleann piping (âCurse is Brokenâ) showing us that this is also a band that would like to jam with Alan Stivell and Seamus Ennis in Lyonesse.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The sixth Red River Dialect album, and first in six years, picks up where 2019âs Abundance Welcoming Ghosts left off; lyric-focussed folk-rock which is neither transatlantic nor straining for trad-British authenticity. The band formed in 2008 in Cornwall around Cornish songwriter David John Morris, but following a decade or more living in London (with other members scattered further) the Celtic claims have hollowed out some; just another Basic Country boy singing in the big smoke.
There is, however, one song on the record which David claims to be the âmost non-Cornish language Cornish song everâ.  âTorrey Canyon, Lyonesseâ lands us in the midst of the 1967 sinking of the Torrey Canyon oil tanker between Landâs End and the Isles of Scilly, and a slick which stretched to Brittany, named the âmarĂ©e noireâ (black tide) by locals there. Following a thorough bombing by the Royal Air Force the hull came to rest on the sea floor where the remains of Lyonesse, a mythic land inundated in 1099, are said to lie. The song traces a link between aristocratic survivors of a lost paradise and those building climate catastrophe-proof bunkers.
The Basic Country on show here is, at times, quite country. âFire BB (Frocks of the Parson)â lopes along, with estuary English vowels tugging at the sleeves of a visiting Nashvillian (or should we say Nashvillain; this is one for the reforming people pleasers out there). Throughout the album Robin Lane-Robertsâ piano brings out the more tender shades, poignant here on a song which swaggers but is ultimately about finding a grounded path to openness. âSheepâs Clothingâ nods to Jake Xerxes Fussell songs about being âgone and goingâ and no amount of anglophonics could hide the guilty pleasure of these cowboy chords. The album starts with Simon Drinkwaterâs majestic celtic harp on âThis Restlessnessâ and ends with Edd Sandersâ soaring fiddle and thicc Uilleann piping (âCurse is Brokenâ) showing us that this is also a band that would like to jam with Alan Stivell and Seamus Ennis in Lyonesse.











