
Autumn Girl
Simply put, Klaus Koenig is a humorist. Autumn Girl, is his 6th CD release with his âJazz Live Trioâ. Klaus, who seems to complain in the liner notes about the difficulty of composition and improvisation, laments about his struggles with harmonies. And yet, he delivers a moving and lyrical tour de force, borrowing as he states, âthe practical procedureâ from Felix Mendelsohnâs Songâs Without Words.Â
There are numerous emotional twists and turns, the ballads have splend id improvisations. There are pure gems here, Autumn Girl, dedicated to his wife; has such delicacy that even the touch of Andi Wettsteinâs cymbals hug you; the playful yet thought provoking Song For A Child that bassist Patrick Sommer âs virtuosity is on display; and the inspiring IRACI, a solo piano composition that closes out this feast. Truly, for all his complaining and lamenting, he seems to have hit on a formula that works.
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Autumn Girl
Simply put, Klaus Koenig is a humorist. Autumn Girl, is his 6th CD release with his âJazz Live Trioâ. Klaus, who seems to complain in the liner notes about the difficulty of composition and improvisation, laments about his struggles with harmonies. And yet, he delivers a moving and lyrical tour de force, borrowing as he states, âthe practical procedureâ from Felix Mendelsohnâs Songâs Without Words.Â
There are numerous emotional twists and turns, the ballads have splend id improvisations. There are pure gems here, Autumn Girl, dedicated to his wife; has such delicacy that even the touch of Andi Wettsteinâs cymbals hug you; the playful yet thought provoking Song For A Child that bassist Patrick Sommer âs virtuosity is on display; and the inspiring IRACI, a solo piano composition that closes out this feast. Truly, for all his complaining and lamenting, he seems to have hit on a formula that works.
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Simply put, Klaus Koenig is a humorist. Autumn Girl, is his 6th CD release with his âJazz Live Trioâ. Klaus, who seems to complain in the liner notes about the difficulty of composition and improvisation, laments about his struggles with harmonies. And yet, he delivers a moving and lyrical tour de force, borrowing as he states, âthe practical procedureâ from Felix Mendelsohnâs Songâs Without Words.Â
There are numerous emotional twists and turns, the ballads have splend id improvisations. There are pure gems here, Autumn Girl, dedicated to his wife; has such delicacy that even the touch of Andi Wettsteinâs cymbals hug you; the playful yet thought provoking Song For A Child that bassist Patrick Sommer âs virtuosity is on display; and the inspiring IRACI, a solo piano composition that closes out this feast. Truly, for all his complaining and lamenting, he seems to have hit on a formula that works.











