ATTACK!
ATTACK! is the second full-length release by Scottish musician and football analyst JJ Bull, who modestly calls it “the best album ever made about football that isn’t actually about football.”
Across 11 tracks, the record blends indie-disco and synth-pop, with songs written spontaneously during fully improvised live performances. It playfully uses footballers as metaphors for love, doubt, hope, outrage and late-night chaos, showcasing Bull’s knack for hook-driven melodies and mischievous humour.
Pulsing basslines, big choruses and the crackling tension of music built in real time helped turn many of the tracks into viral internet hits, with the first limited 12-inch vinyl release selling out in under four hours.
This second run of the album features slightly altered artwork and stands as an anthemic showcase of Bull’s loop-driven performances, capturing the same electricity that powers his gigs.
ATTACK!
ATTACK! is the second full-length release by Scottish musician and football analyst JJ Bull, who modestly calls it “the best album ever made about football that isn’t actually about football.”
Across 11 tracks, the record blends indie-disco and synth-pop, with songs written spontaneously during fully improvised live performances. It playfully uses footballers as metaphors for love, doubt, hope, outrage and late-night chaos, showcasing Bull’s knack for hook-driven melodies and mischievous humour.
Pulsing basslines, big choruses and the crackling tension of music built in real time helped turn many of the tracks into viral internet hits, with the first limited 12-inch vinyl release selling out in under four hours.
This second run of the album features slightly altered artwork and stands as an anthemic showcase of Bull’s loop-driven performances, capturing the same electricity that powers his gigs.
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Description
ATTACK! is the second full-length release by Scottish musician and football analyst JJ Bull, who modestly calls it “the best album ever made about football that isn’t actually about football.”
Across 11 tracks, the record blends indie-disco and synth-pop, with songs written spontaneously during fully improvised live performances. It playfully uses footballers as metaphors for love, doubt, hope, outrage and late-night chaos, showcasing Bull’s knack for hook-driven melodies and mischievous humour.
Pulsing basslines, big choruses and the crackling tension of music built in real time helped turn many of the tracks into viral internet hits, with the first limited 12-inch vinyl release selling out in under four hours.
This second run of the album features slightly altered artwork and stands as an anthemic showcase of Bull’s loop-driven performances, capturing the same electricity that powers his gigs.
