
Amaro
On their third album, Amaro, Bibi Club invites us to brave the dark beasts that shadow us beneath the surface and devote ourselves to the therapeutic power of a fierce will to live. It explores the sensitive spectrum between the here and there, pointing to love, nature, and community as the unifying purpose. The songs draw a map of a world of its own, following the trajectory traced by the Bibis in recent years. Now out of the living room, we dance in a mental space overloaded with grief and fear in their rawest forms. Following the death of two loved ones in the last year, the mantra “I want to love, I want to live” resonates intensely in each melody; if the heart is a place that never dies, we must reach it as quickly as possible.
Inspired by memorable artistic encounters, tours with Blonde Redhead and Circuit des yeux, and a collaboration with Calvin Johnson, Bibi Club now reveals itself in avant-pop and electronic body music with elements of dark wave and neofolk, simultaneously borrowing from baroque sounds with harpsichords, trumpets, and ritual songs to be learned by heart. Supported by a caring community, including saxophonist and activist Dimitri Milbrun (George Sand) and singer-songwriter Helena Deland (A Different Light), Amaro allows Bibi Club to define itself in both intimate and collective terms.
Original: $36.00
-70%$36.00
$10.80Amaro
On their third album, Amaro, Bibi Club invites us to brave the dark beasts that shadow us beneath the surface and devote ourselves to the therapeutic power of a fierce will to live. It explores the sensitive spectrum between the here and there, pointing to love, nature, and community as the unifying purpose. The songs draw a map of a world of its own, following the trajectory traced by the Bibis in recent years. Now out of the living room, we dance in a mental space overloaded with grief and fear in their rawest forms. Following the death of two loved ones in the last year, the mantra “I want to love, I want to live” resonates intensely in each melody; if the heart is a place that never dies, we must reach it as quickly as possible.
Inspired by memorable artistic encounters, tours with Blonde Redhead and Circuit des yeux, and a collaboration with Calvin Johnson, Bibi Club now reveals itself in avant-pop and electronic body music with elements of dark wave and neofolk, simultaneously borrowing from baroque sounds with harpsichords, trumpets, and ritual songs to be learned by heart. Supported by a caring community, including saxophonist and activist Dimitri Milbrun (George Sand) and singer-songwriter Helena Deland (A Different Light), Amaro allows Bibi Club to define itself in both intimate and collective terms.
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Description
On their third album, Amaro, Bibi Club invites us to brave the dark beasts that shadow us beneath the surface and devote ourselves to the therapeutic power of a fierce will to live. It explores the sensitive spectrum between the here and there, pointing to love, nature, and community as the unifying purpose. The songs draw a map of a world of its own, following the trajectory traced by the Bibis in recent years. Now out of the living room, we dance in a mental space overloaded with grief and fear in their rawest forms. Following the death of two loved ones in the last year, the mantra “I want to love, I want to live” resonates intensely in each melody; if the heart is a place that never dies, we must reach it as quickly as possible.
Inspired by memorable artistic encounters, tours with Blonde Redhead and Circuit des yeux, and a collaboration with Calvin Johnson, Bibi Club now reveals itself in avant-pop and electronic body music with elements of dark wave and neofolk, simultaneously borrowing from baroque sounds with harpsichords, trumpets, and ritual songs to be learned by heart. Supported by a caring community, including saxophonist and activist Dimitri Milbrun (George Sand) and singer-songwriter Helena Deland (A Different Light), Amaro allows Bibi Club to define itself in both intimate and collective terms.











